Books, blogs, etc.
# 06 Oct 2009, 10:12PM: Half-Sentence Reviews: Tricked (graphic novel) by Alex Robinson and Whip It (film) are more gripping & fun than they have any right to be.
# 03 Oct 2009, 09:04AM: "Not Ordinarily Borrowable: Or, Unwelcome Advice" by Thomas Thurman:
My colleague Thomas Thurman wrote a light fantasy story called Not Ordinarily Borrowable. It's 106 pages, available as a print-on-demand book via CreateSpace (like Thoughtcrime Experiments), and delightful. You can read the first chapter online (and Google Books has the first half of the book but after that you'll have to buy paper or ebooks; I got to read a PDF on a mobile device, and it was fine). Excerpt:
After you have found out your new thing, you must write a book about it, a big, heavy book called a thesis. Then, last of all, you must explain your ideas to the other scholars, and the other scholars must be happy with your work. One day, when Maria had finished doing all this, she would be allowed to call herself Dr. Maria, and allowed to wear a scarlet robe instead of her black one. That way, everyone would know how hard she had worked to find out something utterly new.
But that day was still quite a long way in the future, and Maria still had a lot of work ahead of her before it would come.
Maria goes on an adventure that features a dragon, a bike, a mayor, and missing library books. It's charming. Lucky me, I got to call up Thomas yesterday on work pretenses and babble at him for twenty minutes on the following topics:
Now in order to become a doctor of something, there is a simple rule to follow. You must find out something new, something nobody in the world has ever seen or known or thought before. You might suppose that with all the many people there are in the world, and with all the thinking that goes on every day, it must be difficult to find a new thing never thought before. But everyone has ideas every day, and there are so many different ones that, sooner or later, everyone must find something new. You yourself saw something nobody had seen before the last time you cracked open the shell of a nut.
If you enjoy Naomi Novik's Temeraire books and/or the Hereville comic How Mirka Got Her Sword (Yet Another Troll-Fighting 11-Year-Old Orthodox Jewish Girl Comic), you might like Not Ordinarily Borrowable (and vice-versa).
# (1) 01 Oct 2009, 03:18PM: Useful Links:
MediaBugs, Scott Rosenberg's awesome new nonprofit, is hiring a Drupal designer and an associate director/community manager.
My pal Stuart Sierra [who's an expert on The Cloud and graduates from Columbia next year with a master's in CS, (cough) recruiters (cough)] gives two talks on Clojure and Hadoop in the next few days.
My Collabora colleagues will appear at a bunch of conferences this month, usually giving talks: Maemo Summit in Amsterdam, Boston GNOME, and an embedded Linux conference in Grenoble.
I've now discovered that LWN, formerly Linux Weekly News, is invaluable in grokking the entire Linux ecosystem. It's helped me get an overview of areas I thought completely inaccessible to a nonprogrammer. Everything's free to read, except special subscriber-only content that goes public a week after publication. But a subscription's just $5 per month, less if your company gets a group rate, and it's way worth it. (Valerie Aurora writes for them quite a bit.)
What We Know So Far plays NYU on October 9th. Thanks, Biella. By the way, she has the best troll excuse ever:
In November, a bunch of Colbert Report writers talk at the Paley Center; I'd like to go.
If you live nearish Oxford in England, and you'd like a fancy costume or dress sewn for you, may I suggest my colleague's wife Karianne? She might also available for FLOSS translation/community work, if you can drag her away from the horse farm.
Jen & Zed are rockin' intelligent simplicity at Frugal Culture, from philosophy to finance to recipes to politics to education.
At Year of No Flying, Anirvan & Barnali are spending a year traveling without airplanes, "traveling across continents, and talking to people exploring solutions to transportation and the climate crisis." They just crossed the Pacific on a container ship.
My colleague Thomas Thurman has a new light fantasy book out: Not Ordinarily Borrowable, "the story of a scholar whose studies are interrupted when her library books are stolen by a dragon." I have the PDF and hope to read it this weekend.
Flea of One Good Thing, sadly, has to move her blog; email her this week if you want the new URL.
So I am about to violate list rules but as an anthropologist, I am
well aware that violation and transgression can be productive
activities...
# (1) 30 Aug 2009, 09:59PM: Game:
I got Leonard & Martin to read Michael Lewis's Moneyball recently. (By the way, Brendan, I think you'd like Martin's blog, if you're not already reading it.) I'll read anything by Lewis. In Liar's Poker, Moneyball, The Ballad of Big Mike, In Nature's Casino, Serfs of the Turf, and other works, he explores social histories of arbitrage. What kind of person perceives new opportunities in established systems? What kind of person embodies a new opportunity? Where do their values, histories, aims, and rules differ from or align with the establishment's?
I especially appreciate the light touch Lewis brings to these questions. In his stories, those questions are implications, excursions from the narrative. Malcolm Gladwell foregrounds those questions and uses his characters and anecdotes as props; he seems to overreach because he's going for the universal. Lewis stays in the particular, telling one story well and rarely addressing his larger themes explicitly.
But there is one passage in Moneyball, one Lewis marks with "there will be a lesson in that", that fills me with expanding religious fervor each time I read it:
Another resonant quote from the next page (116):
And from Martin:
As the thirty-fifth pick approaches, Eric once again leans into the speaker phone. If he leaned in just a bit more closely he might hear phones around the league clicking off, so that people could laugh without being heard. For they do laugh. They will make fun of what the A's are about to do; and there will be a lesson in that. The inability to envision a certain kind of person doing a certain kind of thing because you've never seen someone who looks like him do it before is not just a vice. It's a luxury. What begins as a failure of the imagination ends as a market inefficiency: when you rule out an entire class of people from doing a job simply by their appearance, you are less likely to find the best person for the job.
"You know what gets me excited about a guy? I get excited about a guy when he has something about him that causes everyone else to overlook him and I know that it is something that just doesn't matter." - Paul DePodesta
Obviously that's fun to read just from a "nerd power!" perspective, but it's also fascinating to think of all the other industries still out there, plagued by chronic inefficiencies (i.e. opportunities) and just begging for the right nerd to come along and revolutionize them.
# (3) 13 Jul 2009, 03:15AM: Fun Short Scifi:
"Let Us Now Praise Awesome Dinosaurs," by Leonard Richardson, Strange Horizons, 13 July 2009.
"I want to buy a gun," said the Thymomenoraptor. He moved his foreclaw along the glass case of pistols, counting them off: one, two, three, four. "That one." He tapped the case; the glass squeaked. "Why would a dinosaur need a gun?" asked the shop owner. "Self-defense." The owner's gaze dropped to the three-inch claw that had chipped his display case. "These are killing claws," said the dinosaur, whose name was Tark. "For sheep, or cows. I merely want to disable an attacker with a precision shot to the leg or other uh, limbal region." "Uh-huh," the owner said. "Or maybe you figure humans shoot each other all the time, but if someone turns up ripped in half the cops are gonna start lookin' for dinosaurs." Tark carefully pounded the counter. "There used to be a time," he said, "when gun dealers would actually sell people guns! A time . . . called America. I miss that time." "I don't sell to foreign nationals." "Racist!" The gun dealer flinched but said nothing. "All right, look, just give me this periodical, okay?" "I got ripped off," said Tark a little later. "That periodical contained neither guns nor ammo." Leonard wrote it and Jed edited it, and it would thus have a special place in my heart even if it weren't hilarious.
# 28 Jun 2009, 03:46PM: Four Cool Stories: Tim Pratt's genre-subverting Another End of the Empire, Jeff Soesbe's quiet and moving Apologies All Around, Jennifer Linnea's eerie glimpse Second-Hand Information, and Sergey Gerasimov's hella Russian The Most Dangerous Profession.
# 26 Jun 2009, 04:33PM: More Anthology Notes:
Two weeks ago I posted a long entry about Thoughtcrime Experiments (a scifi/fantasy anthology Leonard and I edited), the market for and marketing of short speculative fiction, and my interests in future projects. I mentioned that small publishers can market to readers via new technologies and communities, at the cost of some sweat and little or no money.
Case in point: In case you didn't want to deal with CreateSpace, you can now buy a print-on-demand paperback of Thoughtcrime Experiments for $5.09 directly from Amazon.com. (Note to self: figure out how to tell Amazon that Leonard and I are not the book's authors but its editors, and that people can download the Kindle version for free.) We've also shown up on GoodReads and LibraryThing.
I encourage anyone who enjoyed a story in the anthology to Delicious, Facebook, Tweet, Reddit, Digg, blog, mashup, podcast, email it around, and otherwise share your enthusiasm. Reviews on your blog or on LibraryThing/Amazon/Goodreads/etc. are very welcome and I should do a review roundup post next week.
Each story stands alone on its own page with its own URL. I assume that reading the anthology as individual webpages, or as a PDF/mobile ebook, or as a paperback, influences whether people see each story as standalone or as part of a whole. I wonder which view is better for this anthology, where there's so much variety in subject and style.
I also have some new, if weak, stats. Leonard usually articulates these kinds of musings on his own blog, but in this case I'm the one who broke out the spreadsheet a while back to get a very rough sense of the Thoughtcrime Experiments gender/ethnicity breakdown. (I was prepping for my WisCon panels.) Out of 200 distinct authors who submitted pieces, author names look like:
Gender
Ethnicity
Of course, that's going by the names authors gave us, which might have been pseudonyms, and I can't tell anything about whether authors are transgendered or cisgendered from their names, and many people of color have names that I read as white. I wish I'd tried harder to recruit nonwhite authors; I wrote to a few relevant blogs/mailing lists/workshops/interest groups but not as many as I could have, and I got several bounce messages I should have followed up on.
We published nine stories. I believe four were by women and five by men, and at least two of the nine authors were people of color. Rachel did us the kindness of posting a review in a LiveJournal community whose goal is to get readers to consciously seek out books by people of color. Again, yay Internet!
14 Hard to tell ---- 7%
59 Female ---------- 30%
126 Male ------------ 63%
186 White ----------- 93%
14 Nonwhite --------- 7%
# 12 Jun 2009, 08:57PM: Let's Hear It For (Labors Of) Love:
Here is another narrative of my WisCon: something I learned from editing and publicizing Thoughtcrime Experiments, and what that makes me want to do next. It's long (the longer the post, the more I feel I'm leaving out), but there's some filk silliness at the end. (Title hat-tip to the Smokin' Popes; cue up Destination Failure while reading this, it'll take about that long.)
Throughout the convention, people sounded receptive when I chattered about the anthology. Several people told me how exciting they found our project, and a few made noises about following Leonard's instructions and conducting the experiment themselves. And a few people said: "what are you doing next?" or "when you do it again next year..." A flattering boost and a natural assumption, but not a completely justified one.
Do I want to do it again? Good question!
In the "Was It Good For You?" panel, I observed that some editors and authors start with a vision they need to express (my nickel version of auteur theory), and some start wanting to respond to a community's need for certain viewpoints or stories. The way Leonard and I divided up anthology work reflects that division. He did line edits, pushed for more variety in the art, exhausted himself tweaking the layout to perfection, indeed conceived the project in the first place. I publicized the call for submissions, recruited artists, read slush and wrote rejections, and promoted the finished book electronically and in person.* My revealed preferences: sociable work. I want my work to make others happy. (When we got the first galley proofs from CreateSpace, I said it's real. But the reality of the literary marketplace is socially constructed, and foisting Thoughtcrime publicity onto hundreds of minds at WisCon transmuted the book into something more real.)
But how many people experienced any happiness from Thoughtcrime Experiments? A few thousand downloads and page hits, maybe ten thousand fleeting "oh it's neat that they did that" impressions. Is that enough? Would I spend my energy on a sequel anthology for a readership of less than, say, fifty thousand?
I mean, when I promoted the call for submissions, and when I went to WisCon, I couldn't help but see how many quality small presses and mags our genre enjoys. Shimmer, Goblin Fruit, GUD, Ideomancer, Small Beer, Electric Velocipede, Clarkesworld, Andromeda Spaceways Inflight Magazine**, Strange Horizons***, Verb Noire, Aqueduct... I'm just going off the top of my head. Some are electronic, some are print, some are more regular than others, but it's not like any one part of Thoughtcrime is new. Rejected Quarterly plus Creative Commons licensing (already done by Stross/Doctorow, not to mention Strange Horizons & others) plus easy online reading (several abovenamed pubs) plus good payrates (several again) plus gumption (passim). Thoughtcrime is a tiny fish in the pond.
When I see us in context, of course we've gotten maybe 4 emails of praise and 10 blog mentions from people who don't know us. What kills me is how little attention all these presses get. If Leonard weren't an author seeking markets, he wouldn't have started Thoughtcrime, and I wouldn't have heard of most of these presses and magazines. I'd see Tor's and Orbit's stuff in the bookstores, and maybe if BoingBoing or Tor.com or Making Light**** said something really positive about a particular story online I'd go click.
The ease of publishing doesn't mean readers automatically get hooked up with content they'd enjoy. Publishing is a binary switch, off to on, and new technology makes it cheaper to pull that switch. But publicizing -- marketing -- is analog, and really lossy. I'll only persuade a percentage of my desired audience to go read x, and I'll only ever hear about the fraction of that percentage that somehow signals back. Logs and analytics just tell me about impressions, not lasting impressions.
I am like the googolith person to observe, "it's a shame awesome indie stuff doesn't get as much mindshare as the mainstream does! It is almost as if having a large, established, for-profit publishing apparatus is good at turning capital into reputation, accessibility, and distribution!"
But just as I should be less in love with originality when appraising my past work (so what if Thoughtcrime did no one new thing? It combined a bunch of those things for the first time and it's a damn fun read), I don't have to put auteur-y novelty first on my priority list when allocating my future efforts. Why should I just turn five or nine stories from 0 to 1 on the publishing meter when I could get thousands of great stories from 1 to 2 or 5 or beyond?
Well, that "beyond" would be pretty tough. One assessment that sounds oppressively real: "The problem for SF writers and publishers today isn't that there's not a mass audience for high-end SF storytelling; it's that there are immense numbers of other diversions on offer for those hundreds of millions of people." Why should a person read at all, and if she reads why should she read the particular work I adore and want her to read? What particular need would I be uniquely fulfilling in her? Because that's where marketing starts: identifying or arousing a need.
I can reckon how a person might go about increasing the mindshare of any given indie scifi publisher among people who already consider themselves scifi fans. It's never been a better time to be a publisher or a cheapass reader; Amazon, Bookmooch, ManyBooks, Goodreads, DailyLit, the Kindle, blogs like Tor.com and BoingBoing, and other resources help hook up readers with the abundance of awesome fiction that already exists, for free, online. (If you are a cheapass scifi reader and you are saying, "Where do I start? SHOW ME THE FREE STORIES," Futurismic's Friday Free Fiction weekly roundup will get you started.)
Indie publishers still need a little marketing to get into many of those channels. Search engine optimization, some tech hairdressing, and time writing the equivalent of press releases come to mind. I can see a path to getting a rabid scifi fan to taste something new. I'd grow the market a little (rewarding!), but also displace the readership of my rivals, Big Publishers and other small presses (kind of disheartening!). I actually don't know how zero-sum the economics of this project would be, and am curious; I'd want to collect a lot of metrics, and set a quantitative goal in hopes of avoiding existential despair.
But the project of turning nonreaders into occasional sci-fi readers, and occasional readers into rabid readers? Unsolved and incredibly exciting. I'm wondering who else is doing this, and how; comments welcome.
I would like to make the pie higher, as the saying goes. Thoughtcrime Experiments will never be a huge slice of it in any case, and I'm not so delusional as to think it's objectively the tastiest portion.
So Leonard and I have different ideas for what's next (not that either of us is about to start anything; our jobs, writing, travel, friends, worries, etc. are consuming us for now). He's tentatively interested in doing what Brendan dares us to call Again, Thoughtcrime Experiments. I'd help again if he wanted. We found stories we loved and made them more real, and I love doing that. But my ambitions point me in another direction: scaling up.
* It wasn't till like three months into Thoughtcrime that I realized I was following in my parents' footsteps. My parents did a zine! Amerikannada, the literary magazine my parents ran for several years, printed fiction and nonfiction by the Kannada-speaking diaspora in the United States. The Amerikannada logo was a hybrid eagle-lion. They've been editing and writing and celebrating Kannada literature for decades, but I remember Amerikannada specifically because I got to help with kid-friendly mailing chores. After Leonard and I had an argument about art direction, I felt like I'd unlocked a memory of another editorial argument, conducted over my head as I pasted stickers to envelopes in the rec room of the first California house. I have no idea whether that's memory or invention, and indeed know nothing of how Mom and Dad divvied up the work, ran submissions, decided on timetables, or made any of those editing/publishing decisions I now find fascinating. I should ask them.
** You can sing "Andromeda Spaceways" to the same meter as "American Woman." As long as you're here: "Goblin Fruit" works as "Stacey's Mom" ("Goblin Fruit / is made of hemp and jute") and I always want to sing "Clarkesworld" to the tune of "McWorld!" from those old McDonald's ads.
*** Strange Horizons is a special case all on its own. When I started realizing that they've been publishing quality fiction and nonfiction weekly for more than seven years, paying pro rates, and generally been ahead of every curve I thought I was exploring, I couldn't believe that I hadn't been a fangirl earlier. I'm feasting on archives now, especially their reviews. You can start with Anathem and Little Brother, and then see if you find this analysis of Ted Chiang's work and this West Wing analysis as thought-provoking as I do.
**** I have been reading the Nielsen Haydens for like six years or more. Patrick and Teresa taught Leonard at Viable Paradise, and Patrick gave Leonard advice before we launched the anthology. We thanked them in the acknowledgments to Thoughtcrime. Teresa reminds me of my late mother-in-law, Frances, in a lot of ways. And yet, and yet.***** Nora speaks better than I could.
***** I meant to write about WisCon racism discussions weeks ago. Explanation seems impossible, so I'll sum up. Thank you, Rachel Chalmers, for putting my head straight when I saw you in January. Thanks to all the antiracists who have put spoons into this discussion, in education and anger both. And thanks to WisCon 33 and its participants, for being the place where I had drinks and panels and meals with uncountable fans of color. (Pleasantly disorienting: the meal where I was the only heterosexual and the only monogamist but not the only woman or person of color.)
My perspective on race in fiction has shifted. The short edition: if you write or edit or critique fiction, looking out for lazy racism is no longer optional. Analogies: 1. The feminist infrastructure is strong enough that sexist writing gets a bunch of flack, and the antiracist infrastructure is getting there. 2. An antiracist lens is going to be a usual mode of critique from now on. This is part of the new normal. The discourse has shifted. Someone trying to pretend this is a fad or a personal attack is like the RIAA lashing out to protect business models that no longer work. Some thoughts on problems and solutions in an upcoming post, I hope.
I arrived with ten copies of Thoughtcrime Experiments and nearly immediately gave away or sold them. I probably could have sold fifty, if I'd had them. I made about 200 copies of my flyer (seven-megabyte PDF, used a canned iWork Pages template) and people eagerly took them. I got to show contributor Alex Wilson Erica Naone's reviews of the stories, including her review of his "The Last Christmas of Mrs. Claus." In the "Was It Good For You?" panel, I mentioned three stories that made me feel unusually at-home: Connie Willis's "Even the Queen," my fellow panelist K. Tempest Bradford's "Élan Vital," and Mary Anne Mohanraj's "Jump Space" from the anthology I just published, squee!
# (2) 12 Jun 2009, 06:11PM: Should I Go to Think GalactiCon?:
I had such a great time at WisCon that I'm now considering sneaking a weekend at a like-minded science fiction convention: Chicago's Think GalactiCon, two weekends from now (the end of June).
This year's Think GalactiCon is the second, following an inaugural con in 2007. The programming schedule, the activities (intro to LARPing, block printing), and the general attitude look right up my alley. And I can afford it, especially if any Chicago-based friends want to put me up (although renting a hotel room wouldn't be a hardship).
I met Isabel and other TG organizers or con-goers at WisCon, and they made lots of encouraging noises. It really looks like they're trying to take the WisCon vibe and focus to a new level, working on all the -isms: sexism, racism, classism, imperialism, speciesism, ageism, ableism, homophobia/transphobia, and so on. Panels include:
... as well as multiple panels specifically about the current discussion around issues of race in genre fiction. "Race & Ethnicity in YA," "RaceFail '09," "Cultural Appropriation," and "Why Are These Brown People Harshing My Squee?" (That last title makes me guffaw even more than the WisCon panel title "Something Is Wrong on the Internet!" did.)
So, I can afford it, I could probably swing a half-day off work to travel late Friday, I know and like a few people who are going, and I'd probably enjoy the conversations. On the other hand, July 3rd-18th I'll be off in Europe on business, so pumping more travel in less than a week prior might be exhausting.
Musings and suggestions welcomed!
# (1) 13 Apr 2009, 07:10PM: Words And Constraints:
I am not yet ready to publicly join the conversation on cultural appropriation in fiction. However I wish to draw your attention to Rachel Chalmers's warm, smart, funny book reviews, which she posts in a LiveJournal community whose members seek to read more books by people of color. 1, 2, 3, 4 so far. The Atlantic should get Rachel to replace whatever they have Hitchens doing.
You could read it [Octavia Butler's vampire story Fledgling] as a provocative and extremely effective satire on venture capitalism, if you were, say, me. Today's my last day before the new job starts. I spent part of it in a park working on a poem that rhymes and scans.
Psychological complexity of the kind I look for in books is an artefact of the bourgeois novel tradition as an outgrowth of an emerging leisure class almost by definition....
# 11 Apr 2009, 07:50PM: This Retrospective, In Retrospect, Has A Theme:
An abbreviated diary of the past few days, mostly for future Sumana's use:
Wednesday I went to Supper and the Sci-Fi Screening Room with a journalist who opines that it's his God-given right to drink scotch at his desk when he's on deadline.
Thursday I saw Tim Wu, Stuart, Jena, and Hailey as we hashed out next steps and plans for AltLaw. I stopped by Midtown Comics after; Hal had put aside the new Ambush Bug compendium for Leonard.
Friday night: Matt Weinstein, an old Berkeley pal, came to town, so I met him and some friends of his at The Silent H, a shockingly good Vietnamese place in Williamsburg. At Queensboro Plaza on the way there, I talked to a guy who was reading Cryptonomicon on the platform, and envied aloud that he's on his first reading. At the restaurant I met a Captain-Hammer-shirt-wearing friend of his who cemented his worth by trading Cryptonomicon references and quotes with me for twenty minutes.
This morning: breakfast and The Met with Anne and her sister Sarah, Anne being a woman I met online when I sought WisCon attendees who'd let me sleep on their floors. We got along great and I'm sure I'll learn a lot about scifi fandom from her. At my place, this evening, I did some career coaching with my friend Rebecca and helped her improve her LinkedIn profile.
In conclusion, dorkiness got me everything I adore in my life.
# 10 Apr 2009, 09:58AM: The Latter Link Includes Dick Van Dyke Non-Pun Joke:
Today, looking at the tax documents, I saw Leonard's name next to mine and felt awe again that we're really seriously married. Mega-married! proclaimed Leonard. We conjectured that maybe the government should let same-sex couples get married but reserve MEGAMARRIAGE for heterosexuals couples. This is in keeping with John Holbo's thinking. By the way, here's a great comment in that thread that explains the rhetoric of same-sex marriages "contaminating" the shared marriagestuff pool.
And one of my new favorite blogs does a good Sarah Haskins impression in taking apart advertising narratives for laughs:
And meanwhile on average women are safer when there aren't men there to protect them. Because ... the number of 911 calls about home-invasion injuries is dwarfed by the number of plain old-fashioned domestic violence calls.
Oh, and do complete the circle of gender obliviousness, let's not forget the countless "home security service" ads pitched, hard, on men's programming about how your hot-looking but down-home wife is by herself in your big house with all the glass windows and no curtains and she's lovingly wiping invisible crumbs off the some-kind-of-expensive-substance counter and there's a man behind her, and because she's cleaning the kitchen with no lights on it's too dark for her to notice, and he's got ropes, or an ax, and he's really big and the music's getting all dumm-dumm-doom-y... and... oh if only you had locked her inside a secure perimeter before you went... wherever it was in that big SUV and/or first-class plane seat and you keep dialing and dialing to warn her about the big guy who's right behind her right now only she's deaf and... and...
# 07 Apr 2009, 08:01PM: "Also airport bathrooms.": As Leonard and I read submissions for the anthology, we compiled some tips for writers. Leonard has them up on his site.
# 07 Apr 2009, 07:17PM: A Tiny Anthology:
If you liked my most recent poem (the Linton Johnson one about BART), you might like these:
Most of these are sonnets on various schemes.
# (1) 07 Apr 2009, 01:23PM: Five Books (With A Little Cheating):
Years after Zed and
Rachel C. (Update: and Erica Olsen!!) tagged me with fairly similar book blogpostmemes, I respond. Hugo Schwyzer did a similar one once that I'm taking this opportunity to link to, and I've posted other book recommendation lists elsewhere.
Number of books I own: This is one of those that blurs when you enter into a book-sharing household/partnership. We share, for example, all the Neal Stephenson. I have about 400 books, not including the hundreds of Amar Chitra Katha comic books and other such single issues, and then Leonard has bookcases more.
Total number of books I've [ever] owned: Probably a thousand. I know I left a lot in California.
Last book bought: I think that's the 1962 Cherry Ames "annual" I saw while walking by a bookstore in Cambridge, UK. It was in those one-pound boxes outside the door, in the front of the stack, and it instantly caught my eye. I thought, Rivka Might Like This! But it turns out she doesn't want it, so I'll be BookMooching it or something.
Last book read: Reread: I just reread several chapters of the great Vikram Seth book A Suitable Boy. I can always reread Haresh's battles in the shoe industry, the harrowing aftermath of Maan's and Firoz's confrontation at Saeeda Bai's, Professor's Mishra's scheming around Pran's promotion, Lata, Amit, Mrs Rupa Mehra, Kalpana, oh look I just reread another hundred pages.
Fresh read: started Kim Stanley Robinson's Red Mars ebook.
Last book finished: Reread: an old Cat and Girl anthology. Classic, funny, incisive.
Fresh read: I read and finished the ebook of Scott Sigler's novel Infected, which was more horror-y than I like in scifi.
Five books that mean a lot to me:
Special shout-out here to the similarly themed nonfiction oral history Bamboo & Butterflies, which opened my eyes substantially. There's an anecdote about an abortion and another about punctuality that still stay with me, fifteen years later.
Special shout-out here to academic texts The Social Animal by Eliot Aronson, the most lucid textbook I've ever read, and The Psychology of Computer Programming by Gerald Weinberg, which has informed my management style substantially.
I figure the statute of limitations is under three years, so I won't tag anyone and coerce them into posting with this template, but I bet my in-laws would enjoy doing this if they haven't already!
# 02 Apr 2009, 09:13AM: Me In Other Media: The Thoughtcrime Experiments anthology, which Leonard and I are finishing up now, got me into Your Favorite Thing About The Recession from The Morning News. It's also a big reason Sharon Panelo interviewed me about free culture. It's paraphrased, but includes me talking about DRM pain points and the GEICO "Tiny House" ad.
# 01 Apr 2009, 07:40AM: The Long View:
Throughout Jody Procter's memoir Toil: Building Yourself, a diary of his work helping build one specific house in a small Oregon city, Procter aches for the weekend, feels hopeful and buoyant working through Friday afternoon, and buys himself little treats at the 7-11 on the Friday drive home. The rhythm of building tension and weekly release thrums over and over again. The end of the March 17th entry:
On my drive home I think, if you could only bottle that Friday after-work feeling and sell it to people, you could make so much money you could stop work and then you would never have that Friday after-work feeling again. Unless you indulged in your own product. And probably, after a while, you'd get addicted to it, it would lose its kick, it would turn out to have negative side-effects and all would be lost and in ruins. You would lose your fortune and have to go back to work and then some Friday you would be driving home and you would have that Friday after-work feeling all over again.
I have been taking my watch off or leaving it in the car to try to keep from looking at it. 10:56. 2:05. Seeing those dead hours in the middle of the day demoralizes me. Now, this afternoon, I put my watch on, the better to savor the slow pace of the last hour and a half of the week. The sun has disappeared. The clouds rolls in. A few sprinkles fall and the air is cool and fragrant with the budding flowers of spring and the moist, freshly cut grass of the golf course. I am happier and happier as the final minutes of the work week tick by.
# (2) 26 Mar 2009, 11:51AM: Links:
I usually keep stuff like this in Delicious but I wanted to bring a few things to your attention.
Dreadwhimsy is incredibly short stories inspired by weird photos.
Flea of One Good Thing linked to her six-year-old son's blog, Shut Up I'm Six. What more do you need from, say, games journalism than the following? Forever's Not So Long is a very short, poignant science fiction movie whose final shots will stay with me for a while.
Waiter Rant, in Las Vegas, shows a person having an inappropriate emotional reaction, then analyzing it. I love that.
Dara discusses a dormant skill cropping up again. Despite the abundance of exclamation marks, this fantastical history of Quizno's is worth reading till the end.
Firefox now has a Kannada release!
A hilarious Trader Joe's FAQ, and a beautiful song/ad for Trader Joe's (or, as my mother calls it, Trader's Joe).
I had no idea that this program existed to help me travel late Saturday nights!
Ganesha helps Alison Bechdel unclutter after decades of doing her monthly comic strip.
When it was over, it was over, and I was on the Inside.
So when you go through something as intense as childbirth/adoption and suddenly there is a baby where there wasn't one before, you are just pulled inside out and a whole new consciousness surrounds you.
Then you get used to it. Then you get good at it. Then you enjoy it. And then they are ready to go. And suddenly, there you are, in two dimensions again, looking outward at their leaving you, not knowing how it will feel, only guessing by what others say/do and what you have heard/read. She strikes at a reason I read so avidly, and that I gain such comfort from reading memoirs of work and parenthood. I can only guess at what those other lives are like, seeing flattened perceptions of their experiences. But if I sort of go through time along with them, watching and listening to their observations over the weeks and years, then I get a little bit of that third dimension from Alyson and Kristen and Susie, Rivka and Rachel, Flea and Susan, and now Claudia .
And tomorrow night I get to see another Paul, Storm, and Jonathan Coulton concert. Whooo!
hay guys type in wizard101 and you will git a cool game its about a life but in a computer and you have to fight bad guys its cool i like it do you?
...that poem, which I thought I had left composting in the backyard of my brain, to feed future poems but not ever to remerge. Surprise. It's back, shuffling its overwritten zombie stanzas up the stairs, dropping rhymes like clods of earth all over the kitchen floor.
We go into things seeing them only in two dimensions: what we've seen from the outside, and what we've heard/read. Those are the two dimensions. When we enter into the thing, the big thing like marriage or childbirth/adoption, we then experience the addition of the third dimension. We go deeper. We go through some kind of pocket of time and in-the-moment action, and then suddenly we are on the other side....
So parents don't talk in high-pitched baby talk because they like to, but because it works. If I try to explain to the Peanut that I need to put his socks on before I feed him, "I need to put your socks on" doesn't work. Now if I say "I need to put on your little sockies on your little toesies that are soo cutie" in a high-pitched voice with lots of animation (think smiling like crazy, waving the socks around), then I'll get an extra few seconds to put the socks on before he starts screaming. The only problem is that after talking in such a manner for 10+ hours, it's hard to turn off when I talk to an adult (aka, the husband).
# (2) 24 Mar 2009, 12:06AM: 'Well, I'm back,' she said:
I finished Toil by Jody Procter, read Five Point Someone by Chetan Bhagat, and got most of the way through Infected by Scott Sigler during my journey back home (via bus, subway, rail, airplane, AirTrain, rail again, subway again, and a lot of foot).
I can of course recommend the company of those I saw in the UK (Paul & Sarah, the Collabora team, Rachel, Rachel & her friends, Holly & Kevan, Avedon, Joseph). I can also recommend the London Transport Museum, a Chalmers-guided Best Of tour of the British Museum, the taster flights of beer at Porterhouse near Covent Garden, Rainbow Cafe on King's Parade in Cambridge, and any food Holly makes, especially cakes. Maybe I can link and elaborate when I wake up.
# (1) 16 Mar 2009, 03:15PM: Dara, Your Style/Substance Thoughts?: These Anacruses are not technically Bad Pennies, but Ana, @job, Taggert, Chronastromy HQ Officer Training: Final Exam, MAXBETTY92, Branford, #13102099, and The Musical all deserve to be grouped together. Any others?
# 16 Mar 2009, 02:40PM: BART-Approved:
Not only did Seth translate into Latin and many friends enjoy my poem "BART Spokesman Linton Johnson", but Johnson himself just wrote me and said he loved it! Yay!
Okay, moment of validation over, back to errands.
# (2) 13 Mar 2009, 01:15PM: Citation Needed?: Some of you adore footnotes, right?
# (4) 05 Mar 2009, 09:05AM: A Fuss:
Ned Batchelder pointed to John Hodgman's condemnation of "meh" in one-off blog comments and tweets.
I think Hodgman is basically right here.* Another way to put it: "It's incredibly easy to make people feel embarrassed about having been enthusiastic about something, and 'I don't see what the fuss is about" is an effective tool with which to accomplish that task and shut a conversation down."
After submissions closed for Thoughtcrime Experiments (we've chosen the final stories, by the way!), Leonard defined our scoring process as: "From A to E the tiers are 'absolutely not', 'no', 'eh', 'yes', and 'yes!'" Note that the middle tier is "eh", not "meh". "Meh" is "I don't care" but "eh" is "I could go either way."
Batchelder praises Hodgman for "fighting the good fight for sincerity and engagement." Brandon Bird also recently mentioned "the new sincerity" and I'm into it -- earnest, enthusiastic passion is to me part of what makes a person worth talking to.
I expect a certain level of honesty, openness, engagement, and willingness to stand by one's statements in any conversation -- it's jarring to try to converse with people who don't share those values. I'm thinking when I vociferously challenged a claim by someone at my sister's housewarming -- he said that all TV is mindless because it dictates how you interact with it. Another conversant sort of stepped forward and said, to cool down the discussion, "I think we didn't mean for this to get...so..." meaningful? heated, to his eyes, because I showed that I cared and thought the other person was genuinely wrong about something important? I backed away. I probably should have shown more empathy and hospitality in conversing on a level that made the other guests comfortable -- direct challenges to statements of opinion do come off as angry and impolite, in some situations. But "meh" still isn't the answer to that; diplomacy is. And that I need to work on. My first year in college, a dorm-mate suggested I work on "something that starts with a t and rhymes with tact." I'm better, but evidently not great. Eh.
*(Disclaimer: JS, I still value and enjoy the flask you gave me that has "meh." laser-engraved onto the side.)By definition, it may mean disinterest (although simple silence would be a more damning and sincere response, in that case)... But in use, it almost universally seems to signal: I am just interested enough to make one last joyless, nitpicky swipe and then disappear...
# (4) 04 Mar 2009, 09:35AM: Poem: "BART Spokesman Linton Johnson":
I wrote this in September 2008.
BART spokesman Linton Johnson
You speak for the trains
You must say so many things
Joyous and doleful
When the trains are stopped
Or when ridership is up
Or when the stations cry out for murals or bleach
You hear what the tunnels say
They whisper in your ears as you ride
Like a regular passenger
Out of uniform, out of sight
The seats and the cars plead with you
The turnstiles and ticket machines click and tick
As you watch the security cameras
They thank you for saying what they cannot
Each conductor drives one train
And announces its stops and destination
Only you sing of BART the whole
From Dublin to Pittsburg to Fremont to Richmond to SFO
Your heart MacArthur, centered above the freeway
Sing of the vessels that carry us from desk to bed
Speak for the trains
BART spokesman Linton Johnson
Cogito, Ergo Sumana by Sumana Harihareswara is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.
Permissions beyond the scope of this license may be available by emailing the author at sumanah@panix.com.