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[Comments] (1) October Film Roundup: I saw a ton of movies this month and there was something fun or interesting in almost all of them! Here's the scoop:

  • Puppy Love (1985): A.k.a. "Dou qi xiao shen xian" Sumana and I watched this on a date back in September and I forgot about it, even though it's really fun! It came back to me because Gregory's Girl (see below) is similar in a lot of ways. It's basically a sequence of skits. The skits are funny and cute, with lots of female eristic energy a la Celine and Julie Go Boating. There seemed to be a strong "you had to be there" element: others in the theater were laughing really hard at what appeared to us as random Hong Kong 1980s stuff.

    This movie's pretty obscure, to the point where the best English-language description is on the Metrograph web site announcing the showing we saw. I recommend this film but not sure how you'd go about seeing it.

    BTW films I see at Metrograph are at high risk of being forgotten because I don't see a lot of films there and they don't have a convenient "everything we showed" list I can go through at the end of the month. I remember them eventually though!

  • Gregory's Girl (1980): This is the same kind of funny, cute, skit-based high-school romcom as Puppy Love, with one big asterisk: there's a skit early on where a teacher talks about his female students in a really gross way. Fortunately this doesn't become a theme, but it changed the tone of the whole movie.

    I'm not even talking about the boys being gross. Teenage boys are frequently horny and gross, you can get comedy out of that, and although I'm glad this isn't the main goal of Gregory's Girl—it certainly isn't the high point of its comedy—I think they did an okay job with it.

    Because it's so great that so many of the characters in Bill Forsyth movies are good-hearted, the appearance of a creep is more of a bummer than it would be in another movie. Burt Reynolds' character in Breaking In has one moment of creepiness which is earned in a character sense but brings the mood down a bit. Judging from IMDB reviews, my attitude about this doesn't bode well for the 1999 sequel to Gregory's Girl, in which a grown-up Gregory inherits the mantle of the creepy teacher from the original movie! Boo.

    Anyway, the last act of Gregory's Girl is ambiguous in a way I don't associate with romcoms, but I think what happened is that another girl has a crush on Gregory and so gets her friends to basically heist Gregory out of his date with Dorothy. And because he's so easygoing and trusting he doesn't even realize he's been heisted. That's really clever. That's the kind of thing I come to a Forsyth movie to see.

  • Gaslight (1944): The ultimate trope namer. I feel like you could have explained gaslighting to, say, Shakespeare, and he would have recognized it, but it took the era of the Big Lie to bring it into consciousness and another 25 years for it to become a term of art. BTW I also feel this way about the card game "Dominion". It could only have been invented in the 21st century, but you could explain it to someone from the 1920s and they'd totally get it (although they'd be annoyed by the sheer number of cards).

    Anyway, the movie. The first half is masterful in setting up the suspense but the back half is... a police procedural? This dude isn't even manipulating the gaslight to mess with his wife; it happens by accident. On the plus side: Angela Lansbury's film debut!

    (TV Tropes claims that Petruchio gaslights Kate in The Taming of the Shrew, and it is a similar form of manipulation, but I don't think he's trying to get her to doubt her own sanity.)

  • Beetlejuice (1988): Without a constraint like historical fact (Ed Wood) or a time-consuming filming process (The Nightmare Before Christmas), Tim Burton movies are at risk of heading off into a ball pit of cool but disconnected ideas. This film jumps into the ball pit almost immediately and we get some fun set pieces that make me think this film would have been better as a series of shorts.

    The third act, in particular, has a lot of scars on the screenplay where they cut all the exposition. Of course they still had time for Beetlejuice to set up this goth shotgun wedding with Gregory's Girl-age Lydia—just no time to convince the audience that it would solve any plot problem. It's clear Beetlejuice is exactly the sort of person who would do this, so at least it makes logical sense, but it's less clear why they followed up this movie with a children's cartoon—the main thing I remember about Beetlejuice from my childhood—where Beetlejuice and an aged-down Lydia are best pals. I guess that comes from the same place as the Robocop cartoon.

    Uh, to say a nice thing about this movie: the main villains are redeemed, and one of them is even redeemed before the ending. I've also heard good things about the Indian remake, Beteljuice.

  • The Informant! (2009): Up until the end of the opening credits I was assuming this would be like The Conversation, possibly because of Matt Damon's dorky moustache, but I wasn't disappointed to see a much different film set in the 1990s, in an office culture that I got the barest glimpse of tagging along with my father to clients and working my first summer programming jobs. I liked the twists and enjoyed watching Scott Bakula's long-suffering FBI agent. I laughed really hard at "You don't know how to read a lie detector!"

    Sumana had seen this movie already and when I told her I was watching it, provided this Bakula-ready joke: "Archer Daniels Midland is the spot where Captain Archer and Crewman Daniels agreed to meet." Yes, a Crewman Daniels reference every month, that's the Film Roundup promise!

    I see why they had to add the exclamation mark to the end of this movie's name. (The book was just called The Informant.) The exclamation mark shows that the film has a strong comedic element; otherwise it looks like a Robert Ludlum adaptation. This got me to thinking: if you have a film with a question mark in its title, but you also add an exclamation mark, does it cancel out the (totally imaginary) question mark curse?!

    I found about 30 feature films on IMDB that have adjacent question and exclamation marks in their title, but the only ones I recognize are The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!? and What the #$*! Do We (K)now!?. So it looks like a reliable signal of a very bad movie.

  • My Dinner With Andre (1981) This film hasn't aged well (the subject matter is... very Age of Aquarius) but I was amazed by how natural the dialogue feels. Gave me the vicarious thrill of listening to a smart crackpot present his theories on a topic I don't care about. Maybe his crackpot theories are correct! Who knows? Wallace Shawn was of course the big draw for me, and he doesn't have much to say until the last half-hour, but I was entertained. A production assistance credit for Troma (one of their first credits) was a nice surprise.
  • Silver Streak (1976): The disappointing essence of stagflation-era comedy. After a rocky start (primarily caused by movies like this one in heavy rotation on Comedy Central) I've come to appreciate the cinema of the 1970s, but the comedies rarely make me laugh. No matter what they try, I'll never see Gene Wilder as a romantic lead or even a great comic actor. I think I found out about this from a "list of overlooked comedies" and now I'm questioning the judgement of the entire list. Plus, blackface. IMDB trivia: "Richard Pryor was uncomfortable with the scene." No kidding! Oh yeah, Richard Pryor's in this, eventually.
  • Hausu (1977): This has a lot of stuff I don't like in horror movies (like... horror...) but it's so over the top and ridiculous I can't stay upset. My favorite scene was at the beginning where the backstory is laid out in a different filmic style. Every Disney animated feature does that now, but it doesn't happen a lot in 1977. And Hausu does it in an unusual way: one character is narrating the backstory, laying down the backbeat for the film-within-a-film we're seeing, but instead of listening to this narration, the other characters are also watching the film-within-a-film and commenting on it, MST3K-style? I guess this is to say that right from the start, Hausu is really weird, moving really fast and demanding a lot of the viewer. Once the blood effects start kicking in I've kinda had my fun.
  • The Coca-Cola Kid (1985): I'm gonna put it out there: this, not Mad Max, deserves to be considered the true prequel to The Road Warrior. It was pretty fun, showcasing both the glorious high-tech of the 1980s and steampunk turn-of-the-century low tech. I can't confirm this 100% but this feels like a "low-budget non-American director gets big movie-industry money for the first time" film, a genre I'm becoming interested in after seeing Housekeeping last month.
  • Little Caesar (1931): From the golden age of "every screenplay is based on a novel, and we're going to show you a picture of the novel on the title card". Also from the golden age of opening with a Bible quote, perhaps to appease the Hays office. I watched this because I really like Edward G. Robinson in non-gangster roles but I hadn't really seen the gangster roles he's best known for. It's a "great" performance—sixty years later, Robinson's accent still meant "gangster" at my middle school—but I think this movie is now basically obsolete. You got The Godfather series and both versions of Scarface telling this story with better character motivation than "gonna do some crimes, see?"
  • Key Largo (1948): "Let's rip off the last scene from Key Largo, Mitchell!" That was going through my head the whole time, so suffice to say I knew how this movie ends. Has aged better than Little Caesar, with some nice noir moments regarding corruption and human weakness. Johnny Rocco has a super-petty speech about how ungrateful are the politicians he buys, which is exactly what I wanted when I went looking for "Edward G. Robinson gangster stuff".
  • Re-Animator (1985): Kind of a repeat of my Reservoir Dogs dilemma: I'm not into horror films, but I am a big fan of Jeffrey Combs, who works almost exclusively in horror. I gotta at least watch the movie that started the typecasting, right? For an 80s horror flick you could do a lot worse. Combs met all my expectations: sinister with great comic delivery. The practical effects are goofy, but more "realistic" and less inventive than in Hausu. In further "random unexpected production assistant credits" news, Re-Animator has one for Rick Berman, of all people. Has anyone asked him about this?
  • Gaslight (1944): A boring, train-ride-heavy first half sets up a reign of claustrophobic gothic terror in the second. A real thrill to watch. Plus, Angela Lansbury's film debut! Sumana hasn't seen the film but recommends "Just in Spring", a Yuletide fic dealing with the aftermath.

September Film Roundup: This is not a film, but in September, Sumana and I played Untitled Goose Game and loved it. Check it out. Honk!

  • Dead Men Don't Wear Plaid (1982): In movie terms, this is the Crewman Daniels-esque car that Johnny Cash builds in "One Piece at a Time". The Steve Martin/Carl Reiner brand of comedy is able to drive the weirdo car a pretty good way, but I was left a bit disappointed. Like a Mel Brooks film, this is really sentimental about The Movies in a way that probably touches the hearts of those people who go in to work every day to make The Movies. But most of us have different jobs, and the technical achievement here rarely serves the comedy or the plot (in fact the plot serves it, big time). The one genre of joke I think they really nailed is the "noir narrator" joke. Just off the top of my head I can remember two great gags that came out of fooling with the narration.

    As an interesting cross-reference, the mailing list manager Enemies of Carlotta is a reference to this film.

  • Steven Universe The Movie (2019): I'm reserving judgement until I see the next season of the TV show because this movie sets up one of my favorite SF conceits -- aliens living alongside humans on Earth, c.f. Constellation Games -- and doesn't do much with it. Wasted opportunity? Not if they go on to spend a large number of ten-minute cartoons exploring the topic! Otherwise... this was a fun kid's movie. I'm not a kid anymore and I know this isn't designed for me, I'm just watching over your metaphorical shoulder.
  • Shadow of the Thin Man (1941): At this point we're just watching for the comic relief scenes. Dashiel Hammett doesn't have so much as a "based on an original story by" credit anymore and the mystery bits are pretty dull. Nick and Nora were fun in New York, fun in San Francisco, but in this movie they live in an unnamed split-the-difference city that feels like pure backlot. William Powell's still funny. though.

    The only thing that would convince me to watch the rest of this series is 1) Sumana might want to, 2) eventually a young Dean Stockwell starts playing the kid!

  • The Phantom Carriage (1921): A century before The Good Place, there was... this. There's some cool technical wizardry (In its day, Dead Men Don't Wear Plaid was hailed as "A new The Phantom Carriage"), and it's always nice to watch a silent film with live accompaniment, but overall I wasn't sold on the melodrama and the moralizing. The museum handout intepreted the whole supernatural element as a metaphor for the main character's alcoholism, and although readings like that generally annoy me, I think it makes a lot of sense here.

    Having to drive Death's carriage for a year seems horrible, what with being endlessly confronted with human frailty and misery, but is it really worse than spending that same year in the Bad Place? One of many worldbuilding questions not considered by this movie, perhaps confirming the "metaphor for alcoholism" theory.

  • Comfort and Joy (1984): This was my introduction to Bill Forsyth, who's already one of my favorite directors. I'd never heard of him before this month. Now I've seen three of his films (see below) and am eager to see the rest. His work is really consistent, but he doesn't have a ton of credits and hasn't directed since 1999, which made me suspect an Elaine May "movie jail" situation. Best I can see looking around the web is he just got tired of making movies.

    Getting down to specifics: Comfort and Joy is a light comedy about mob violence where nobody gets hurt. It's all property damage. I'll say two negative things about it: the ending is really slight and although any resemblance is purely coincidental, etc. etc., there was real ice cream mob violence in Glasgow around this time and it's hard not to see this movie making light of it—a criticism that would have less bite if the movie was more satirical and less fluffy. Apart from that, a really good time.

    As in many movies, there's a dream sequence in Comfort and Joy that is shot as though it were actually happening, ending with a smash cut to the sleeper waking up. Unlike most movies that do this, here we've also got a second dream sequence featuring the same characters, in which one of the characters is loudly suspicious that this is a dream, is finally convinced it's not, smash cut—they were right, it was a dream. Pure comedy... I'm gonna say comedy thallium.

  • Breaking In (1989): I saw this one with Sumana and it blew us away! Great gags, great performances, a good heart, minor characters get their chance to be funny, awesome Portland locations. Sumana proposed this film as a model for Breaking Bad, and it's very plausible. Unlike a lot of stories of mismatched partners, it's clear here what each party gets out of the relationship, and at the end they both think they've come out ahead. Overall I'd compare this to Big Business—a hilarious but forgotten 80s comedy that's miles ahead of most of the stuff people remember. It's even got some subtle Edgar Wright-style jokes—(Delphine:Carrie::Ernie:Mike):::Shaun:Yvonne. Yes, I had to use parentheses and the rarely seen triple-colon to explain that analogy.
  • Housekeeping (1987): This movie was not a laugh-a-minute crime comedy, so I didn't love it as much as Comfort and Joy and Breaking In, but it was solid. I was taken aback by the audacity of flooding the set, something I don't think I've ever seen. Though I imagine most movie ships are sets that can be flooded. Anyway, good mischief—comic and otherwise—in a less comedic universe than the other two Forsyth movies I've seen.

August Film Roundup: "Our shows" have either ended (Jane the Virgin, satisfying ending IMO) or are on summer break, so in August, Sumana and I ended up watching a lot of movies together.

  • Crouching Tiger, Hidden Dragon (2000): A really fun action movie. Most of the martial arts movies I've seen are either significantly newer or significantly older than this, and after calibrating for that, I think I agree with the givers of prestigious film awards that this is above average for its time period. Not a lot to say beyond that.
  • Jupiter Ascending (2015): Bits of this movie have a fun Hitchhiker's Guide vibe but it has a very tight focus on the two things I dislike most in space opera: Chosen One plots and great-house politics. The Wachowskis don't exactly hide their affinity for Chosen One plots, and obviously there's a market for great-house politics. It just feels like a dereliction of duty to use the grand scale of space opera to further explore one of the most heavily-explored societal organization mechanisms. Basically, I wanted this film to take a hard turn at the bees, do some kind of hive mind or something. All I remember from this movie's initial release was people making fun of the bee thing, but the bee thing is great!

    This movie has two adjacent action set pieces where Channing Tatum busts in and stops Mila Kunis from signing some paperwork, so if that's your kink, this is the movie you've been waiting for. However, this movie is probably where you developed that kink, back when you saw it in 2015, and it's probably not going to happen again in modern cinema. Good thing there's deep fakes now!

    PS: Walter John William's The Praxis does a good job of showcasing the dysfunction you'll find in one of those great-house societies, but even then I didn't finish the series.

  • Walk, Don't Run (1966): Dateline: 1964! Cary Grant is lured out of retirement by the promise of a free trip to the Tokyo Olympics, all expenses paid. He just has to do some location shoots for his matchmaker role in this bedroom farce movie, and fill in the rest in a studio Stateside. Seems like a prime opportunity to phone it in. I'd phone it in if it was me. But that's just one of the many reasons why I'm not one of the most beloved actors of the twentieth century. Grant turns in a game performance with a lot of physical comedy, and the overall movie's really fun in a 1960s "international cooperation" way.

    But the best part is that pre-Trek George Takei is in this movie! He's only got one scene but it's a pretty good role. I don't think I've ever seen him in a role other than Sulu or George Takei As Himself.

  • I Was a Male War Bride (1949): We wanted to see more Cary, and thanks to this movie, our wish was... granted. I missed out on this film in 2013, and I'm pleased to report that it's funny and Cary Grant doesn't try to do a French accent. Easy no-prize explanation: his character speaks really good English which he learned from a Brit, a la Jean-Luc Picard.

    There are two distinct phases to this movie. It starts with the typical Howard Hawks rom-com stuff where the two characters who can't stand each other fall in love. Once Grant's character becomes a Male War Bride, we switch to more "Humor in Uniform" jokes and gender stuff. It's all good fun, and there are some really moving bits near the end.

  • Goldeneye (1995): The latest in our "Sumana asks Leonard if he wants to watch a James Bond movie and Leonard says sure" series. This was fun. Again, not much to add. Except: before checking IMDB I assumed Joe Don Baker spent 20 years appearing in Bond movies as Jack Wade, but no, he's in two and we happened to watch both of them.
  • Three Kings (1999): This was really powerful, but also a good object lesson in exactly what type of power art has. Four years after this movie came out, we started a stupid, pointless follow-up to the Gulf War, at great human cost. At the time there were, in fact, people saying "didn't anyone see Three Kings (1999)?", but it didn't make a difference on a geopolitical level. Not saying a better movie would have gotten a different outcome. The Great Dictator is a great film and it didn't stop anything. Art works on the level of the individual, and there it does have power, for good and evil. We just don't have the counterfactual of all the individual decisions that were made differently because someone saw a movie.
  • It Happened One Night (1934): Okay, back to romcoms. Clark Gable rides the knife-edge between "romantic lead" and "obnoxious jerk" in a way that guarantees lesser actors will spend the next 80+ years trying to surf this wave and falling down on the "obnoxious jerk" side. Really enjoyable to see someone who can pull it off, though. I think the key is in his famous striptease, surely the inspiration for Magic Mike, in which he compels behavior from Claudette Colbert's character not by controlling her body but by aggressively making his own body vulnerable.

    A line from this movie is currently a catchphrase in our house: "Five Gs, or I crab the works!"

  • Finally, we borrowed DVDs of the first four Thin Man movies (1934-1941). As of writing we've watched the first three and I don't think the fourth one is going to hold any big surprises, so I'll sum them all up as though they were one movie. The murder-mystery part is pretty bland but we love the dynamic between Nick and Nora, a dynamic you rarely see in romcoms, which focus on the start of a romance. It's not just that they're happily married: it's a collective power fantasy of being in a relationship so secure and with such good communication that you can pull potentially disastrous pranks on each other and team up to take on society at large.

    There's a little of this in It Happened One Night (where it's great), so it doesn't have to rely on a strong preexisting relationship -- it can be one of the building blocks of a relationship. You see a kind of Nick and Nora dynamic between Kim and Jimmy in Better Call Saul, but their relationship isn't actually that strong—an indication that the show's probably not gonna end with a big infodump and everyone tipping back a drinkie.

Secretly Public Domain: Update: My "Secretly Public Domain" project got a lot of attention, which is great, but it also gave me a lot more work to do and pointed to some things that hadn't been explained very well. I've done that work, and here's an update:

Topline number is 73%

My original estimate was that 80% of pre-1963 books were not renewed. This was based on a couple of inaccurate assumptions, the big one being that I was counting works originally published in a foreign country. Those works might have lapsed into the public domain at some point, but the US copyright has since been restored by treaty. So their renewal status isn't really relevant.

Of the books where renewal status is relevant, here are the most recent statistics:

  • 73% have no renewal record at all.
  • 19% have a renewal record that's an excellent match.
  • 8% are in a grey area. They have one or more renewal records, but none of them are an excellent match. One of them might be legit, or they might all be renewals for totally different books. They need to be checked manually.

Credits

The "Secretly Public Domain" bot was a publicity stunt to draw attention to the machine-readable registration records. It worked great, but it also drew attention to me, the person doing the publicity stunt, even though I had basically nothing to do with the original work. For the record, here are the people who actually did the work. The project inside NYPL was run by Sean Redmond, Greg Cram, and Josh Hadro (now of IIIF). The work of making the copyright records machine-readable was done by Data Conversion Laboratory.

Buried treasure

Most of the books whose copyright wasn't renewed are really obscure titles, but without looking very hard I found a very well-known science fiction novel that has no renewal record. I'm not mentioning the name as an incentive to get people to look at the data themselves. It's probably not the only well-known work whose copyright wasn't renewed.

How to make your own list

My original estimate of 80% was based on the quick and dirty script I used to write the Mastodon bot. To fix the "foreign works" problem and to produce a dataset that would stand up to scrutiny, I published a Python library specifically for handling this data. It's got business logic for making determinations like "was this book published in a foreign country" and "how well does this renewal record match this registration record". You run the scripts and at the end you have a bunch of JSON files with consolidated data. If you think there are bad assumptions, you can change the business logic and run the scripts again.

How to see the data

There were a number of requests for this data in a tabular form. I totally understand where this is coming from, and it's certainly the easiest way to get into the data, but it's tricky, because converting the JSON to tabular data destroys information that would be useful for taking the next step (see below).

So, I've done the best I can. I added a script to the end of my Python workflow which generates three huge tab-separated files, and I put those files in the cce-spreadsheets project. This should be good for getting an overview of which books were renewed, which weren't, and which are foreign publications.

What's next?

Discovering that a book published in 1950 is in the public domain, doesn't make a free digitized version of that book automatically appear. Somebody has to do the work. At this point we go from fast data processing to really slow research and digitization work. You or I can now make a near-complete list of unrenewed books in a few minutes, but that list just represents an enormous to-do list for someone.

There are basically three "someones" who might step up here: Project Gutenberg, Hathi Trust, and Internet Archive.

Project Gutenberg

As I mentioned earlier, Project Gutenberg digitized the copyright renewal records some time ago, and they use them all the time. They have a section of their Copyright How-To explaining how to check whether a particular title was renewed, and whether the renewal matters. There are other steps to clear a pre-1963 work: you have to verify that the author lived in the US at the time, stuff like that. The newly digitized registration records can help with some of this, and my data processing script that combines registration and renewal can help with more of it, but there's still some manual work you have to do for each book.

Once that work is done, Project Gutenberg volunteers will locate a copy of the book, scan it, and OCR it (assuming there's no existing scan). Then they'll proofread it and put out HTML and plain-text editions. As you can imagine, this process takes a really long time, but the result is a clean, accurate copy of the book that can be read on its own or reused in other projects. The catch is that somebody has to care enough about a specific book to go through all this trouble.

Hathi Trust

Hathi Trust already has scans of a lot of these 1924-1963 books. They just don't make these scans available to the public, because as far as they know, all these books are still under copyright. If they were convinced otherwise, they'd open up the scans—they opened up almost all of their 1923 stuff this January when the 95-year copyright term finally expired. So we have to make a case for opening up these books.

Earlier, NYPL took the highest-circulating 1924-1963 books in our research collection and checked to see which ones lacked a renewal record. We sent the list to Hathi Trust, and they did their own verification and opened up some of the books: The Americans in Santo Domingo from 1928 is an example. Once Hathi opens up a scan, it's available to the public. It also becomes possible for Gutenberg et al. to turn the raw scan into something more readable.

In the near future, people at NYPL (not me) will be talking to people at Hathi Trust about what kind of evidence is necessary, in general, to convince them that the copyright on a 1924-1963 book has lapsed. Then we'll be able to give them a list of all the books where we can find that kind of evidence. There'll still be a verification process on the Hathi Trust side -- at the very least, they have to go through the book and make sure it doesn't contain unauthorized reprints from other books -- but it should streamline things quite a bit.

Internet Archive

Internet Archive is a wild card here. They scan a lot of books, and I could see them treating the "unrenewed" list as a big list of additional books to scan, but it would be a new undertaking. Making unrenewed works available is something Project Gutenberg volunteers do already, and it's something that Hathi Trust could do relatively easily, but with Internet Archive it's more the sort of thing they'd do.

Data problems

That 8% of grey area, where it's not clear whether or not a book was renewed, points to the general difficulty of meshing together two sets of public records published across half a century and digitized by different people. The grey area represents a lot of manual work that has to be done, and of course there's always the fear that a book that seems to be free and clear actually isn't: the title page says "printed in Canada", or the smoking-gun copyright renewal didn't show up because its ID number was typed wrong.

There's going to be a lot of manual work in the process of clearing these books, but there's no reason to wait until everything's perfect to get started. My preference is to cast a very wide net, try to find any renewal that might possibly be related to a registration, and make the grey area as big as possible. We know that a majority of 1924-1963 books will always come up "no renewal", because there are way more registrations than renewals. We can deal with those and then take a closer look at the grey area.

Other media

A couple of people asked whether it was possible to do this for other media. The good news is that there are volumes of the Catalog of Copyright Entries for:

  • "Books, Pamphlets, Serials, and Contributions to Periodicals"
  • "Periodicals"
  • "Drama and Works Prepared for Oral Delivery"
  • "Music"
  • "Maps and Atlases"
  • "Works of Art; Reproductions of Works of Art; Scientific and Technical Drawings; Photographic Works; Prints and Pictoral Illustrations"
  • "Commercial Prints and Labels"
  • "Motion Pictures and Filmstrips"

All of these books have scans hosted at the Internet Archive. You can get an overview by looking at Penn's index of the CCE from a specific year, let's say 1960.

As far as I know--and I do know about one big exception--the rules here are the same as for books. If something wasn't registered, or the registration wasn't renewed, then the copyright on a work first published in the US 1924-1963 has lapsed.

Now, the bad news. We have scans of the Catalog of Copyright Entries, but the only bits where both the registration and renewals are machine-readable is "Part 1 Class A". That's the "Books" part of "Books, Pamphlets, Serials, and Contributions to Periodicals", and it represents only about 30% of the total.

If you want to see whether there's a renewal record for a fishing map of Kansas, or a magazine article, or a cool retro ad, or a classic film noir, or a vintage restaurant placemat, it is quite possible, but it's a huge pain. And you can forget about running the numbers on all the movies or all the restaurant placemats. We don't have a good picture of what's in there.

The situation is this way because the Catalog of Copyright Entries is huge, and digitizing it is boring/expensive. Up to this point, book nerds are the only nerds who've put in the time and money to make "their" part of the CCE machine-readable. NYPL has plans to give this same treatment to the entire CCE, but the crucial part of the plan where we have money to pay someone to do this is currently missing; it's a matter for fundraising.

The second piece of bad news regards music. When we in 2019 think about "music", we think of sound recordings. When the CCE thinks about "music", it's thinking about the underlying composition—basically the stuff that would go on the sheet music. Until 1972 there was no federal-level copyright on sound recordings, and the result is that music copyrights are a bigger mess than other types of copyright. I do not want to get into territory I don't understand, but suffice to say that for a vinyl record to be in the public domain, it's necessary but not sufficient that the copyright on the underlying composition have expired. So the CCE can only help so much.

[Comments] (1) July Film Roundup:

  • Long Day's Journey Into Night (2018): You know I like an arthouse film now and again. I'm glad they tried something different, but I wasn't really feeling this one. I did like the 3D section, but it probably doesn't make sense unless you sit through the first half. The second half felt like an escape room, which is pretty cool, but the first half was the random, disconnected clues written on scraps of paper which you need to assemble to solve the escape room.
  • Bathtubs Over Broadway (2018): Recommended by good ol' Pat Rafferty, this documentary is both a survey of a forgotten art form, and the story of a snarky person who discovers sincerity. I was hoping for a lot more in-depth on the survey, but I liked Steve Young's term of "comedy poisoning" for diagnosing his own snark. Really fun overall.
  • Any Number Can Win (1963): A.k.a. Melody en sous-sol, a.k.a. The Caper That Sank, a.k.a. Never Steal Anything Wet (just kidding). This had really fun heist planning and aftermath, but the heist itself, a dialogue-light bit clearly inspired by Rififi, was a little dull, and the romance subplot was a snoozefest. I much prefered the noir opening, where the aging heistmaster gets out of prison only to discover that Modernism has consumed the world and Jacques Tati is filming Playtime in his home town. Had a real Reginald Perrin vibe.
  • The Burglars (1971): A.k.a. Le Casse. This movie starts with a huge nerd-out as the titular burglars invade a beautiful 1960s mansion and crack the safe with a specialized piece of equipment that, e.g. uses Scantron-like cards to program a key-cutting machine. Includes long sequences where Jean-Paul Belmondo is looking stuff up in the service manual, a manual which is either the most detailed prop in the entire movie, written in good manual English, or... this is a real piece of equipment with a real service manual? I guess they gotta make safe keys somehow. I would love to know more about this machine!

    Also, as long as I'm focusing on details most people don't care about, in the granary office at the end of this movie there's a hatrack which strongly resembles what Duchamp's Hat Rack would look like if it were actually a readymade.

    Often I focus on these little things because the rest of the movie was boring, but although the heist that opens The Burglars is the best part of the movie, there's a ton of good stuff here. There's a cool car chase, good stunts, excellent cat-and-mouse between Belmondo and Omar Sharif. The fashions and design are swinging '60s throughout. Bad parts: the ending is pretty weak, there's a doesthegoldfishdie.com moment near the beginning, and an ugly scene where Belmondo's character slaps a woman around and it's played for laughs—unnecessary and really hard to stomach.

  • The Bishop's Wife (1947): It's no Wings of Desire, but it covers some of the same ground. The minor characters are fun. Cary Grant's character is the ultimate service top, and it's wonderful to watch him be oblivious to society's rules about who does things for whom. One of these gags is reprised twice in a way that reminded me of Billy Wilder. IMDB says uncredited writing credit for... Billy Wilder! Trivia says he was just called in to redo a couple scenes, though. You can tell he didn't have full rein over the screenplay because the characters fulfill their dreams.

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Cogito, Ergo Sumana
Sumana oscillates between focus and opportunity

(0) : Art of Python Seeking Organizers for 2020: In May, I chaired "The Art of Python", a festival of arts about programming that took place at PyCon North America. People presented short plays, monologues, songs, and a video remix that explored how it feels to program and play with Python.

I am very glad I did it! But I have to concentrate on other projects now.

I cannot be one of the co-organizers for "The Art of Python" at PyCon North America in 2020; I hope someone else steps forward to lead it so it can take place again. If you want to organize "Art of Python" at PyCon 2020, please submit a Hatchery proposal as soon as possible. The deadline for Hatchery proposals is January 3, 2020. If you are interested but need help to do it, post about that someplace public -- your blog, Twitter, etc. -- and tell me, and if I hear from multiple people, I'll put you in touch with each other.

To help: I have written up a retrospective and HOWTO document about "The Art of Python". It's in two parts: "Why I Did This" and "How I Did This".

As I say in there: I saw a lack. I was not and am not a professional playwright, performer, or festival planner. But I didn't have to be, and you don't either. You don't have to be a professional performer to show what you experience when you're programming -- you just need a stage, and I wanted to create the stage. And now we have. I hope the show goes on.

Thanks to Kim Wadsworth and Leonard Richardson for editing help.


: Availability Update for October: I'm going to be off social media a lot between October 4th and about October 30th. Please email if you want to reach me - https://www.harihareswara.net/ & https://changeset.nyc/#contact have my address - but I will probably be slow & terse in response.


: The Breath Before: A few days ago, Leonard and I went to see a movie at our local museum/arthouse theater. We settled into our seats and turned off our phones and chitchatted, and I mentioned a funny line from a Paul Ford interview.

A curator came in to briefly introduce the film, and mention the film series this screening was part of, and to tell us that the director would be there in person for a screening of another film several days from now. An appreciative "oooh!" rippled through the crowd.

And then the lights went down and everyone hushed and looked forward and the movie was about to start. And then it did, and it was fun, but the moment I most treasure was that little tiny moment of civilization where we were all waiting together in anticipation.

Filed under:


: Cambrian explosion of discussions about the future of software freedom: In 2009, Dreamwidth user rydra-wong did the great favor of making link roundups to help people keep track of a distributed conversation happening on lots of people's blogs about a current controversy.

I'd love for someone to take up that kind of work ("linkspam" roundups) or point to something similar, a Pinboard tag or a TagTeam instance/tag/team, to help us all see people writing about the future of open source software licensing. This post by Molly de Blanc and this one by Karl Fogel, for instance.


: Futureproofing Your Python Tools: The people who maintain Python and key Python platforms want to help you protect the code you write and depend on.

If you write software in Python, or depend on something that's in Python, this is for you.

Some of you are writing Python 2, or you still have software you depend on that is written in Python 2. January 1st, 2020, is the day that official support for Python 2 stops. So this is a fresh heads-up that you should really have a migration plan and start working on it, to move to Python 3. A lot of stuff you depend on already works on Python 3, and is even pledging to end Python 2 support in or before 2020. And it's easier than it's ever been to port your own code from 2 to 3.

You should probably upgrade to Python 3.7. If you want to test out 3.8, it has some changes in how it does warnings, and the first release candidate is out.

But, speaking of futureproofing:

Code authors move in and out of projects and companies. Six months or 18 months later, maybe you want to update and re-use, re-release or re-deploy code someone else wrote. Or you want your team to be able to reuse what you did after you leave, which means you need the code to run, and you need them to have the password so they can update stuff.

Have you written Python code that they have published as a package on the Python Package Index, pypi.org, so other people can use pip install to install it?

(And if you want to do that but don't know how? Check out this recently improved tutorial to help you do that.)

Publishing that package is a great way of making it so other people can run and deploy it, even within other parts of your organization.

But -- who actually has the keys to the castle? Who can upload a new version, or delete a version that has a problem?

You should probably make sure multiple people have either "owner" or "maintainer" privileges on the project on PyPI.

And you should review your project security history display, which lists sensitive events (such as "file removed from release version 1.0.1") in your PyPI user account and your PyPI project. We just added this display, so you can look at things that have happened in your user account or project, and check for signs someone's stolen your credentials.

And then how do you make it a little harder for vandals, spammers, and thieves to take over your account and upload malware or delete all the packages? Add two-factor auth for your login, like you would with your bank. Use an app on your phone to give you a six-digit code, or use a physical security device like a Yubikey.

And how do you make it easier to automate publishing new versions of your package, and make it safer to save your credential in the cloud? We've made it possible for you to create an "API token" where all it can do is upload, so you can use that instead of your PyPI password.

With well-tested Python 3 migration tools and new PyPI security features, now is a great moment to invest in robustness for Python software that you make or depend on.

[This blog post is kind of unwieldy, because it's about too many different things. I won't be publicizing it that much and instead will probably reuse text from it in more focused announcements elsewhere. But I'm publishing it here as a summary of my recent work, because management and communications for the projects above are what I've been working on recently for the Python Software Foundation. (A different kind of summary is on the Clients page for Changeset Consulting.)]


(1) : When/How Do People Decide To Apply To CS Grad School?: I'm trying to understand how people decide to go to CS grad school in the US. For instance, what proportion of PhD applicants are coming straight from undergrad, versus another graduate degree (such as an MS in math), versus industry? Do they generally decide first on what they want to research, whom they want to work with, or that they want to go to grad school at all? I presume there is a survey of this somewhere?

I've found the Computing Research Association's Center for Evaluating the Research Pipeline's report on why grad students choose computing, and I've also looked at the National Center for Science and Engineering Statistics website. I have found a little data on what proportion of doctoral recipients were previously in a baccalaureate program, a master's program, or industry, but not about what proportion of applicants, or accepted applicants, come from those categories.

Any pointers?

(Maybe there's paywalled research on this within the ACM's special interest group on CS education? If so, lemme know and I will try looking for that?)

The reason I am asking this is to help professors and guidance counselors I know (maybe you've heard that Outreachy has a new career advisor). They want to improve their abilities to help students and programmers consider research careers, and better target their outreach consider applying to specific graduate programs. How does the engagement funnel currently work? And thus, where are the gaps? I presume there are a bunch of people who would do well in grad school, and find it fulfilling, and use their research and their degrees in ways that would benefit the world, but no one ever says to them "hey have you thought about going to grad school," so they don't think of it as a possible thing for them.

Filed under:


: Kickoff for Communications Work on the Python 2 Sunsetting: Python's 2.x line will reach End of Life on January 1, 2020, meaning that the maintainers of Python 2 will stop supporting it, even for security patches. Many institutions and codebases have not yet ported their code from Python 2 to Python 3. And many of them haven't even heard yet about the upcoming EOL. Volunteers have made many resources to help publicize and educate, but there's still more work to be done.

So the Python Software Foundation has contracted with my firm, Changeset Consulting, to help communicate about the sunsetting of Python 2. The high-level goal for Changeset's involvement is to help users through the end of the transition, help with communication so volunteers are not overwhelmed, and help update public-facing assets so core developers are not overwhelmed.

During this project (starting now and going till the end of April 2020), Changeset's goals are:

  • Create a concise page on python.org giving community guidance on the why and what of EOL
  • Create and publicize a formal press release through the PSF
  • Audit and update every mention of Python 2 on python.org, including in documentation and the wiki
  • Develop a plan to handle redirecting https://docs.python.org/2/* (especially deep links)
  • Publicize the new "what's up with EOL" page to a variety of audiences, respond to questions, and keep the page updated until PyCon US 2020 based on questions that come up

So, towards those goals, you'll see me with my colleagues:

  • Researching, writing, and editing technical documents and the press release
  • Corresponding with stakeholders, writing and publishing announcements and other communications in multiple media
  • Initiating and facilitating meetings (I will try to make them very minimal and short; if I invite you, please let me know your response)
  • Filing, triaging, labelling, prioritizing, and linking issues, such as in the website repo

For accountability, Changeset will provide reporting via:

I'm going to be asking for a lot of help along the way from the Python community: meeting with us, answering our questions, double-checking our drafts for accuracy, publicizing that EOL page to your circles, setting up some parties for January 1st. Thanks in advance and let's get the Python user base further along towards enjoying the shininess of Python 3.


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Leonard and Sumana's personal notebook
Peer into Leonard and Sumana's mind

20 Minute Croissant Dough | Edd Kimber | The Boy Who Bakes: Genious?

http://www.geoguessr.com?v=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%3D: Champions!

http://www.geoguessr.com?v=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: If it's in Botswana, we're gonna find it.

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Traffic
John Chadwick's weblog

[Comments] (1) Being an example of the believers (Timothy): I taught SS Lesson 41 the other week, which covers a lot of stuff (they all do), but I chose to focus on what it means to be a believer. Literally every time I sat down to prepare for this lesson, I ended up on a Mormon blog to re-hash recent events. It became a real distraction. I finally began to discipline and focus myself about two days before it was time to give my lesson. I was literally a wreck; I had no direction for this discussion.

Then I had an idea. On the chalkboard that Sunday, I wrote four names on the board: Nephi, Laman, Moses, and Emma Smith. The names of four believers, two brothers from the Book of Mormon, the Old Testament prophet responsible for re-establishing Judaism and Israel after the Egyptian captivity, and the wife of the first modern day prophet of the LDS church.

Under each name we listed their attributes. Then we had to collectively agree on one word that best fit each person: Nephi was recognized for his valiance; Laman for his worldliness; Moses as a lawgiver; Emma for her longsuffering. We then discussed that under the umbrella of attributes assigned to the term "believer" is the individual brands that follow. So the question becomes, what will be our individual brand as a believer? Will it be attributable to the Word of Wisdom, will we choose to be known for keeping a set of laws, or will it be for our zeal, or love, our compassion, etc? None of these is right or wrong per se, though there may be an individual answer that is better for us. The takeaway: play to your strength as a believer, and use your brand to make the world a better place.

This exercise literally lasted the entire length of the class, about 30 minutes (we were cut short due to the overrun of the Primary Program that day). I walked away feeling much better about life, and am particularly looking forward to my lesson next Sunday on the Epistle of Peter. Should it be successful, perhaps I will post more.

The manual, I might add, contained none of this, which is what I love. The prophet sets the curriculum, but I get to wrestle with the Spirit on the who, what why, and how (when and where are also outside my jurisdiction). It's been a great blessing in my life to study the material and try and direct the material in a direction that can be beneficial to many, including myself. I'm grateful for this calling.

[Comments] (4) Why I stay: It's probably safe to assume no one reads this blog anymore, because I don't post very often. I normally find Instagram to be my safe place, because who doesn't love pictures of food, cats, cool scenery, and the like, without the vagueness, fighting, and incorrect doctrine that is Facebook?

But today something happened, and I feel like talking about it. Perhaps this is the perfect outlet; I get to say it, and no one will read it, and thus no one gets offended (again, a huge perk of not being on Facebook).

My Church, the Church of Jesus Christ of Latter-day Saints, has added to its handbook a new category of apostasy: same sex marriage. Now children living in SSM families cannot be baptized until they are 18, and until they disavow the sins of their parents. While the former makes me wonder, and the latter makes me curious (the who, what, when, where, why and how of the disavowal intrigues me), on the whole I've added one more reason to my list of why the Church just plain no longer works for me.

That being said, I stay. Don't get me wrong. I've often thought about leaving, if for no other reason than to make a point. The point being: you are wrong, and I therefore shun you. But really, that's a silly way to make a point. The Church continues without me, and I lose a part of me in the process.

So I stay. I stay because, despite this policy (the same policy exists for children from polygamous families by the way), despite the PR embarrassment we call Prop 8, despite the fact that we oust those that question things, despite the fact that Republicans=Mormonism, despite the fact that no one can give a good answer for why women cannot hold the Priesthood, despite the fact that I never knew until July that Joseph Smith married a 14 year old girl and translated the book of Mormon with a brown stone inside a hat, despite the lame attempts to explain the Priesthood ban as anything other than the flaws of good men, this is my home.

I currently have the calling of Gospel Doctrine teacher. Which means, during the 180 minute church block, I am effectively in charge for 40 minutes of that time, roughly 25%. I have spent the last year, during our study of the New Testament, to use this time to achieve the following: (1) Focus more on Christ and less on silly things that often takes up valuable church space, including missionary guilt, defending the family (whatever that means; no one wants to abolish families), and pornography for the 5,000th time; (2) Challenge the class to read the scriptures with fresh eyes, to see things they never saw before, even though they've read the stories since they were children; (3) Contribute to a class environment where their voice can be heard (ie, I'm a facilitator, not a lecturer); (4) Help us feel the Holy Ghost in class, and follow its promptings to be better people the next six days.

I personally believe I fail at this more than I succeed. But the fact is, I currently have the opportunity/responsibility to be the change I want to see in the church. And that is way more powerful than walking away and being forgotten within a week.

I also stay because I don't have all the answers. So while I currently am at odds on probably 20 or so doctrinal and/or procedural aspects of the church, I recognize that I could be wrong. And until I receive my own personal revelation on these matters (something I'm working on, but for personal reasons seems to take time for me), I just can't write it off. The truth is, despite these obstacles, the church has been good to me. I've learned inside this church the joy of giving, the humility of receiving, to wonder and awe at the notion of sin, forgiveness, and the atonement, and to find purpose in mortality. And while I know I could have learned these elsewhere, I learned them here.

So I'm sticking with my Church. Because I believe I have a part to play. I can show people by the way I live my life that the Church tent is big enough for all, that the Church is not threatened when people bring their questions or their baggage along for the ride, and that the Church can still be a safe place where compassion is the rule and not the exception. So I stay.

test: test

the 'Go-to': Everyone has a go-to phrase, something they say when they don't know what to say. For Mary Poppins, it was supercalifragilisticexpialidocious, for example.

For Dalton, it's 'you're funny!'

He seriously says it to adults when they say something to him and he's not quite sure how to respond. It normally gets a laugh in response, so perhaps HE is the funny one....

[Comments] (2) a funny thing happened on the way to the playground: Kids these days:

Maggie: I got invited to Ronan's birthday! Susie/John: Who's Ronan? Maggie: A boy from school. Susie/John: Are you friends with Ronan? Maggie: No, but he invited me, I think, because I'm a good example at school and he wants to say thank you. (Editor's note: Doubtful this is true, but glad my daughter has a pure heart).

John: I'm going for a walk. Maggie, want to ride your scooter? Maggie: No, I'll just walk with you dad. John: But it's going to be a long walk. Are you sure? Maggie: Yes. If I ride my scooter, I can't talk to you about things.

Dalton: Dad, I'm tired of being the cutest. I do NOT want to be the cutest anymore. (Editor's Note: Sienna is now the cutest and Dalton is the happiest).

Legoland is a pain because Sienna can't go on anything. Unlike Disneyland, the king of all amusement parks. The kids fight in line about who gets to take their turn with me. I may not have been cool at school, but I'm officially the favorite dad in this house!

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La Vie En Rose
Rachel Richardson's weblog

I really need to check my job at the door: ...of the bookstore. The other day in Foyles I had to physically restrain myself from re-organizing some Beast Quests that were in the wrong order. Tonight in Waterstones I found myself recommending The Sky is Everywhere to someone looking for a gift for a 15 year old. What can I say? 3 years in a bookstore and old habits die hard.

Overheard in Stoke Newington:
1:"The only good thing about David Cameron"
2&3 in unison: "There's nothing good about David Cameron."
1"...is his taste in music."

Whigs and Tories: I went to a "mustache and wig" party as a Lib Dem supporter, but no one got it.

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My Seussical Life
My Seussical Life

Backward Thinking: When planning a Redbox return, I felt a fleeting anxiety that I had not hit "rewind" on my movie. That was a strange throw-back.

[Comments] (3) On that note. . .: I'm back to the blog and intend to update more steadily than in the last five years. Among other reasons, I stopped blogging because I was overwhelmed by how popular blogging had suddenly become. Does anyone else get overwhelmed by the thought of an internet audience beyond a handful of family members and close friends? I like to be a bit more off the radar, I guess. But I'm back.

Dear Mr. Fellowes:: Is this Masterpiece Theatre or soap opera disguised in period dress? Downton Abbey, how you frustrate me!

First Sweat of Spring: I did some impromptu weeding of the garden today. Actually, first I locked myself out of the house and then dug around in the dirt while I waited for the locksmith to arrive.

[Comments] (1) Ratings: "Do I make the best guacamole in the world, Mom?" Atticus asks.

"You definitely make fabulous guacamole." I assure.

"Well. . . I am for sure in the top three."

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Frances Whitney's weblog

Obituary: Here is the link to Mom's obituary, printed in the Bakersfield Californian on Tuesday. The death date is wrong, it was actually May 5, 2006

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Jill Whitney's weblog

Funny things: I heard today...

"There are nice ones and naughty ones like 'Hey lets make Icecream sundaes tonight' is nice, while 'Hey babe, I'll bring the nuts and chocolate syrup if you bring the cherry' is naughty."

"Can you believe I'm seventy and still wearing a g-string?"

"I'm going to choke on my ice!" "Don't worry, it should melt before you expire."

[Comments] (2) Museum of Ancient Life: Yesterday we went to the Museum of Ancient Life at Thanksgiving point. I don't care what your philosophy is on how or when or why dinosaurs etc, existed they are still cool to learn about. I hadn't been to the museum in years but it still was fascinating to walk around. Of course my favorite was t-Rex and the giant shark. I still remember years ago when all of my cousins were in town and we pretended to throw Lorna in the shark's mouth, I ducked from the caveman skeleton that was throwing a rock, and Frances posed with the archeologists because we were sure to be related!

[Comments] (14) Precepting: Newsflash... I get to precept this semester in the ER at Ogden Regional Hospital. I am so excited!!!

[Comments] (1) lazy: I have nothing much to report except that I am LAZY. I have always known this, but I realize that I really just pretty much do nothing most of the time. I guess it's becaus I have to be so efficent at work and school, that I can't do it at home. oh well.

Current Projects: -catching up on my scrapbook. Doing ok except I haven't started BB season and I just printed 200 new pics. Yes seriously at least 200. I have an addiction. -Finishing my recipe book. I am frusterated because I can't find my 34th ward RS cookbook and it has recipes I need. Otherwise it is looking awesome. -Cleaning my room. Not doing so well, let's be honest. -Laundry. Hate it, need to desperatly do it. and for the love it's FREE finally, why don't I just do it already!?! -petting the dogs and watching TV....very good at this.

Random thought: I went to the movies (finally saw Indiana Jones) and there was a poster that disturbed me... "No children under 6 allowed in rated-R movies after 6 p.m. Keep your child safe." ummm last time I checked children under 6 shouldn't go to rated-R movies period. Not to mention before 6 anyway...

New favorite quote: "All changes, even the most longed for, have their melancholy; for what we leave behind us is a part of ourselves; we must die to one life before we can enter another." -Anatole France

[Comments] (1) My new job: I love my new job a lot. It is a lot of fun actually. I am working as a nurse at the new Intermountain Medical (aka the Death Star or Mother ship), on the 12th floor. This building is SO tall, and the view is spectacular. I can't wait until I am a registered nurse and get to play with the IV's here, but I can do everything else as an LPN. Yay for the real world...it rocks!!

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Michelle
Michelle Walch's weblog

[Comments] (3) School: So I am currently attending UVSC. I have had an ok experience and am ready to move on. Next semester I will be attending Blinn at Bryan, TX. I am very excited because I will be 2 hours away from my house instead of 22 hours!!! I am going to get a degree in early childhood education and am very pleased with my degree. I am currently reading a book that is called A Man's Search for Meaning written by Viktor E. Frankl. If you haven’t read this book, i suggest that you do! It has changed my way of looking at things. Take care Shell

[Comments] (1) School: So I am currently attending UVSC. I have had an ok experience and am ready to move on. Next semester I will be attending Blinn at Bryan, TX. I am very excited because I will be 2 hours away from my house instead of 22 hours!!! I am going to get a degree in early childhood education and am very pleased with my degree. I am currently ready a book that is called A Man's Search for Meaning written by Viktor E. Frankl. If you haven’t read this book, i suggest that you do! It has changed my way of looking at things. Take care Shell

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Our Family Recipes
New experiments and old favorites

() Cookie Cookie Cookie!: I was going to go to the library after Maggie's nap, but she didn't take a nap, and also it is snowing and really blowy. So, instead I made Chocolate Chip Oatmeal Cookies. Cookies! If you have been blessed with one of mom's family recipe boxes, this is in there.

1 cup, plus 2 tablespoons flour
1 cup quick cooking oatmeal
2 T unsweetened cocoa
3/4 t. baking soda
3/4 cup butter
1/4 cup granulated sugar
1/2 cup packed brown sugar
1 egg
1 t. vanilla
16-ounce package chocolate chips
1/2 c. walnuts, chopped
Mix dry ingredients in a small bowl. Beat together sugars and butter in a large bowl until light and fluffy. Beat in egg and vanilla. Stir in flour mixture until well-blended. Fold in chocolate chips and nuts. Drop batter by teaspoonfuls onto greased cookie sheets. Bake for 10-12 minutes at 350 degrees. Let stand on sheets 3 minutes. Remove cookies to racks to cool.

Susie the Chef says: 16 ounces of chocolate chips is a ridiculous waste of money and chocolate chips. I put 1/4-1/3 that much. I also didn't put nuts. Even though the batter was pretty dry, I felt like the cookies had a lot of butter in them so I might use a few tablespoons less next time. Next time: yes, they were very yummy!

() Yummy in my Tummy: I've been trying out a lot of new crockpot recipes in an attempt to make feeding my family easier, faster, and yummier. Yesterday I put two chicken breasts and half a jar of spaghetti sauce (Ragu was only $1 at Smith's and I had a coupon - I haven't bought spaghetti sauce in years!) and let it cook on both settings for who-knows-how-long. I served it with whole wheat pasta and parmesan cheese and it was yummy. Probably the easiest meal I've ever made!

I also made an eclair cake at John's request. I made chocolate sauce from scratch because I only use it for eclair cake and I am out of money in my grocery budget this month. It was easy and super yummy. I couldn't find mom's recipe, so I 1/3-ed one I found online:

1/3 c. cocoa
1/2 c. water
1/2 c. sugar
Boil for 2-5 minutes.

PS: I uploaded some cute pictures of the bug to our picture blog - click on "Pictures" to the right. And read all my latest articles while you're at it!

() Taco Stack: I was a good wife and made dinner tonight. This isn't the recipe I kept the page for, but it was yummy!

1 lb ground beef
1 medium onion, chopped
1 can diced tomatoes
1 can tomato sauce
1/2 package taco seasoning
12 corn tortillas
shredded cheese

Brown ground beef with onion in skillet; drain fat. Add tomatoes, tomato sauce and taco seasoning. Place 1/4 c. meat in bottom of a 9x13 baking dish. Place two tortillas side by side on meat mixture. Top each tortilla with some meat mixture and shredded cheese. Repeat until each stack contains 6 tortillas layered with meat and cheese. Bake at 350 for 20-25 minutes. Cut each stack into quarters. I served it with sour cream and green onions.

Also, Tasha inspired me to make babyfood so I bought a butternut squash, baked it, and pureed it in the blender with a bit of water. It is delicious! Maggie liked it too. I'm not sure it was any cheaper though. I will have to try some other recipes.

() Apple-Cheddar Soup: I made this earlier today and it is so yummy. I think I put too many potatoes, because it was kind of chunky.

1/2 c. finely chopped onion
1 T. butter
2 med. potatoes, diced
2 c. apple cider
1 t. fresh thyme
1/2 t. salt
dash cayenne pepper
1 med apple, peeled, coarsely chopped
1/2 c. milk
2 T. flour
4 oz (1 cup) shredded cheese
fresh apple slices

Cook onion in butter. Stir in potatoes, cider and seasonings. Boil. Simmer covered 15 minutes. Add apple. Simmer 5 minutes until potatoes are tender. combine milk and flour - stir into soup. Cook and stir until bubbly. Whisk in cheese until melted. Top serving dishes with apple slices and fresh ground pepper.

() Fondue for Two: Last night John and I celebrated our anniversary at The Melting Pot. Maggie got babysat by a couple in the ward with two little boys and had the best time.

We enjoyed our yummy fondue meal, but it was very expensive and now that we've done it I don't think we'll go back. We especially enjoyed the dessert fondue. The waiter told us how to make the cookie and/or graham cracker crumb covered marshmallows (just dip the marshmallows in water), so now we can just do that at home. We were thinking what a fun FHE activity that would be to do with young kids.

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[No comments] Arthur Halloween Funnies: In a (successful) attempt to be a fun mom, I made a Halloween playlist this year, and bought some fun songs for us to listen to in the car. Arthur is obsessed. He particularly likes Thriller, Monster Mash, I Put a Spell on You, and Ghostbusters.

He's obsessed with Thriller (aka the song where if you don't dance the zombies will eat you) and he constantly asks me technical questions about zombies, the plot of the song, and 80s music in general. How do they eat you? Do hey cut it into little bites? What happens when the sun comes up? What if you get tired of dancing? What does "Ow!" mean? What does "yeah!" mean? What does "Oh!" mean.

Arthur was also really into Hocus Pocus this year. Again with the technical questions about their powers, hair, coats, and teeth. He wants to be Winifred.

Halloween-Lo-Ween: Halloween morning I went to a High Fitness class in costume. It was super fun. I finished in time to put my room mom hat on and help with Dalton's class party, running spider races. I was able to peek into Sienna's party for a few minutes before I had to pick up Arthur.

We got invited to a chili cook-off with some church friends. I made white chicken chili and we played at the park. Then Maggie went off trick or treating around town with her friends, and we headed out just the five of us. We did end up trick or treating with some preschool church friends for a bit, but it was nice not to be in a big group waiting for people. Our kids got tons of candy and were very happy.

I'm pleased with our Avengers costumes this year, but it was fun to dress up in my Monsters U costume for the dance class and I want to do something more fun for myself next year. I'm also glad we got a lot of use out of our costumes. Besides Oogie Boogie's Bash, we wore them for trunk-or-treat, park day party, a friend's party, kids got to all wear them to school, and Maggie is going to a middle school Halloween dance tonight.

In the Middle: Maggie seems to be enjoying Middle School. She has gotten used to biking every day (it's quite a bit farther than the elementary school) and she has a good group of friends to bike with. Some days they stop at Yogurtland or Del Taco on the way home, which has made her interested in earning more money babysitting.

She loves her elective this trimester - Writer's Workshop - and all her other classes, except PE. Though she is trying hard in PE. She takes her school work seriously and is very conscientious about getting her homework done. Other than a few minor dramas with the friends, she is happy and enjoying everything.

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Guests take over Crummy while Leonard is away

[Comments] (1) () The Eagle Has Landed: We made it. I'm writing this now via some neighbor's wireless.

[Comments] (13) () The Right To Bear Fardels: During a recent summit The Poor Man made some nonsensical remark denying that there's any humor in C.S. Lewis or Shakespeare. One of those half-drunk "contrarian = sophisticated" bits of bollocks.

In refutation, I've found my favorite (so far) joke in the Bard: Act III, Scene 2 of Hamlet, the bit about Guildenstern, Hamlet, and the pipe. Gertrude has sent Tweedlecrantz and Guildendee to check on why Hamlet Jr. is acting so crazay. Our goth protagonist asks Guildenstern to try playing a recorder.

GUILDENSTERN
I know no touch of it, my lord.

HAMLET
It is as easy as lying. Govern these ventages with your fingers and thumbs, give it breath with your mouth, and it will discourse most eloquent music. Look you, these are the stops.

GUILDENSTERN
But these cannot I command to any utt'rance of harmony. I have not the skill.

HAMLET
Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me from my lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be play'd upon than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me.

In the four-hour Kenneth Branagh version this little rant is especially breathtaking.

() Geeks, Fire, and Dangerous Things: Seth and I were at Defcon in Las Vegas this weekend. Seth got our friend Praveen to bring Seth's giant Fresnel lens to the con when Praveen drove out on Saturday. The Fresnel lens is roughly 1 meter in diameter. On Sunday afternoon, as the con was winding down, we took the lens (wrapped in a black sheet for safety) out to a quiet back lot behind the convention hotel and, though the sky was overcast with a thin cloud layer so that we could not focus direct sunlight through the lens, we set some stuff on fire. Seth brought four pairs of welding goggles and two pairs of sunglasses for the group, plus safety gloves for whoever held the lens. It was about 102 degrees out, scorching hot even with the clouds, but before the heat drove me back indoors, I watched Seth and David Weekly burn a brown spot into the side of an aluminum can; turn a piece of wood to charcoal; set aflame and burn through a handful of dry grass; and light an onlooker's cigarette (placed on the ground, not in his mouth!). They also tried unsuccessfully to melt a penny and a quarter. I guess it's not as easy as I thought to burn through your money in Las Vegas.

[Comments] (1) () She's an ENIAC: From phone conversations today I gather that Leonard and Frances are visiting the American Computer Museum. In contrast, I'll be enjoying Will Franken's comedy shows tonight, whose most computer-related joke is probably his absurdist "voice command for file cabinet" bit. You can get a hint of that style in his "Show!" clip.

Note to local comics I saw in the back room of a pizza place last night: it is possible to do good spam and Match.com jokes. Please try harder.

() Mr. Joad's Wild Ride: Today Annalisa and I start our drive out west. On our first trip out, we lost a mirror in the middle of Nebraska at 80 mph, ran over a tumbleweed in Colorado, got our truck towed in LA because it was in 7th Heaven's shot, and almost rented Charles Manson's quaint Topanga getaway... here's hoping for a less exciting trip. Here's also hoping that I will be able to post while I'm on the road. California, here we come!

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The Weblog of Joe and Louise Walch

Gregg Easterbrook: The Man Who Defused the ‘Population Bomb’ - WSJ.com:

Gregg Easterbrook: The Man Who Defused the ‘Population Bomb’ - WSJ.com

Amazing story. I read about this back at BYU and still am amazed at this man's life and life's work. He wrote some interesting articles debunking neo-Malthusian histeria back in the 1970s and 80s. He's a real hero and an example of human selflessness that is rarely replicated. May he rest in peace.

Interesting quote:

Borlaug told me a decade ago that most Western environmentalists "have never experienced the physical sensation of hunger. They do their lobbying from comfortable office suites in Washington or Brussels. If they lived just one month amid the misery of the developing world, as I have for 50 years, they'd be crying out for tractors and fertilizer and irrigation canals and be outraged that fashionable elitists in wealthy nations were trying to deny them these things."

Epicurean Delights sans the Jail-time:

We tell our kids to "Just Say No" and yet we allow them to dump cup-fulls of this addictive white powder on their Cheerios.

Favorite quote:

Though difficult to estimate, sweet sensations evoked by sugar-sweetened foods and drinks are probably one of the most precocious, frequent and intense sensory pleasures of modern humans.

Have I been missing something?!?

Ideologyweek: News as Only We Wont to See.:

The mocking introduction “Let's try” of Newsweek’s “Our Mutual Joy” foreshadowed all one needed to know about the incredibly condescending treatment of religion by another ‘general interest’ magazine going through its death throes. In an attempt to shame (the true meaning of which, like ‘tolerance’ and ‘love’ has become unfashionably anachronistic) the vast majority of Americans who are Christian, The “living” Bible is deconstructed and vivisected to reveal the Christian’s folly. The article author asserts her moral authority in calling on Christians to strive toward ‘more just’ ideals over the ‘unserious’ drive towards “chaos, depravity, [and] indifference.”

Newsweek would have us believe that the homosexual activity practiced in days of yore condemned by Paul were nothing like the civilized and enlightened homosexual practices of today, and then insinuates that David and Jonathan were gay lovers. Perhaps things have changed; not the enlightenment of gay sex, but the corruption of true brotherly love that Paul commends to his followers.

The article then goes on to explain that the overarching theme of the Bible is acceptance, citing Jesus reaching out to the woman at the well. Nary a word about Jesus’s constant injunction to sin no more, or the real theme of the Bible which is to totally deny oneself in discipleship; not indulge in ‘needy’ relationships. The doctrine of the Bible is that because of the fall everybody has a predisposition to act contrary to our true nature of Justice and Holiness, but that we are to refuse such impulses; not embrace them.

Newsweek argues:

So the frustrating, semantic question remains: should gay people be married in the same, sacramental sense that straight people are? I would argue that they should. If we are all God's children, made in his likeness and image, then to deny access to any sacrament based on sexuality is exactly the same thing as denying it based on skin color—and no serious (or even semiserious) person would argue that.

Perhaps this last bit is what I find to be the most egregious error and beneath contempt. It blasphemously insinuates that God Himself just might be a homosexual and then equats the sexual impulse to skin color or gender. It is similar to the slave-trader’s assertion (to paraphrase Thomas Jefferson) that there are those who are born with saddles on their backs and others born with boots and spurs; except in this case, those born saddled are humanity and the booted master is the animal impulse. It totally rejects humanity’s agency and responsibility, and is totally antithetical to the Bible’s core message. A person who is born black cannot change that fact. A person who is born female or male will always have that identity etched on every cell of the person’s body regardless of the number of surgeries or hormone therapy. Sexuality, on the other hand, is a learned behavior which every civil society in history has regulated and restricted, and to ignore that basic fact of biology and history is not merely unserious, but dangerously stupid.

This shockingly arrogant treatment of the Bible by an author who probably has about as much knowledge of the Bible as an 18th century grammar student (or less) wends its way through blissfully ignorant aphorisms like:

Jesus does not want people to be lonely and sad,

and then quotes such luminaries like “Miss Manners” and “My friend the priest James Martin.” Of course, if one only wants to obstinately promote one’s own viewpoint, then there’s no need to include people who may not be one’s friends or even have the same opinions as oneself. This is evident in the article which never includes any divergent opinion or even the treats the reasoning behind Christian (or classical pagan for that matter) opposition to homosexual marriage as anything but a silly straw-man.

What is the true reason that the majority of people in over three dozen states have voted in free and fair elections to affirm marriage between a man and a woman? It’s not hatred of Gays, OR EVEN HAS ANYTHING TO DO WITH GAYS. It is the fact (one that is lost on the post-modern left) that there are essential differences between men and women. Those differences are profound and reach the whole dynamic range of the human experience. Those differences are etched on every cell in the bodies of Men and Women. To paraphrase Sartre, there is no escape from gender differences between men and women. Men and women are intrinsically, essentially, and absolutely different. Society has an interest in guarding the procreation and sustainability of itself. In so doing, society has every right to ensure that the healthy and diverse influences of both male and female are included in the raising of children. Both genders play essential and important roles in the flourishing and procreation of humanity.

When looked at from this light, homosexual marriage advocates are actually arguing not for inclusion, but for exclusion since it is they who would gloss over the important gender differences that are essential for the raising of properly socialized human beings. Homosexual men simply cannot parent with ‘maternal flair’ no matter how hard they try or how many flower arrangement classes they attend. Furthermore, the homosexual relationship is, by definition, barren. It is wholly impossible for a new human being to be created except from genetic material from one man and one woman. It should be in society’s interest, if society is to persist, to ensure that there is pairing of the right kinds of people (male and female are the only possible option) sustain civilization.

This is why I found Newsweek’s chief editor, John Meacham’s comment so utterly oblivious to reality:

“Religious conservatives will say that the liberal media are once again seeking to impose their “agenda” on a God-fearing nation. Let the letters and e-mails come. History and demographics are on the side of those who favor inclusion over exclusion.”

Excuse me? History and demographics are on the side of those who favor inclusion over exclusion? Has the cavalier John Meacham (of whom I expect better as a historian) seen the fertility rates of San Francisco? Does he know anything about the demographics of the barren Blue Northeast vs. the Red Bible belt south? Quite the contrary to John Meacham’s facile dismissal of the (procreating) majority of Americans, it isn’t gay families who will see the explosion of influence and power in the world. He should look at the statistics: the most common name of babies born in Brussels: Mohammad, Toronto: Mohammad, Amsterdam: Mohammad, Paris: Mohammad, Sweden: Mohammad. What would America look like if it were Muslims instead of the dreaded Catholics controlling the Supreme Court? Does John Meacham really think that the world is demographically moving towards total acceptance of Gay Marriage? Perhaps he should check his statistics and hope it’s the Bible-thumpers or Mormons (who are the only ones approaching Muslims in fertility rates) whom demographics will favor.

And perhaps John Meacham should check on the demographics of Newsweek, which is nose-diving into oblivion.

“Sources say that the magazine is considering slashing up to 1.6 million copies from Newsweek’s current rate base of 2.6 million, which would put the magazine’s rate base at 1 million. Newsweek declined to comment.”

Resources: Natural Law and Homosexual Marriage

A Biblical Understanding of Marriage

National Review: Newsweek Comes out of the Closet

"That Wasn't Quite the Change We Envisioned":

Certainly Obama's recent appointments to his cabinet have been reassuring as I've outlined in my previous post, but some in the Left seem to be getting a little anxious. This story from Politico sheds some light on this subject.

Salient Quote, National Security:

Now Obama’s says that on his first day in office he will begin to “design a plan for a responsible drawdown,” as he told NBC’s “Meet the Press” Sunday. Obama has also filled his national security positions with supporters of the Iraq war: Sen. Hillary Clinton, who voted to authorize force in Iraq, as his secretary of state; and President George W. Bush’s defense secretary, Robert Gates, continuing in the same role

Salient Quote, Economic Policy:

It’s that liberal Democrats say they’re hard-pressed to find one of their own on Obama’s team so far – particularly on the economic side, where people like Tim Geithner and Lawrence Summers are hardly viewed as pro-labor.

Good, Labor bosses have driven many of American Manufacturing jobs into the ground and resulted in poorer quality products.

I'll continue to look skepticaly at Obama, but for a Democrat who ran as Obama did during the campaign; so far so good.

Links
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Joseph D Walch's Facebook profileLouise Nicholson Walch's Facebook profile
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Spam As Folk Art
Weird and funny subject lines from spam we've received

2016

() Yes: A spam today began:
yes, this is fudong machinery manufacture co., ltd a a professional and experienced supplier
I enjoy the prefix "yes," here. It reminds me of product placement in old-time radio ads, or of the way Stephen Colbert introduced the terrifying drugs from Prescott Pharmaceuticals in "Cheating Death with Dr. Stephen T. Colbert, D.F.A."

2014

() Spamusement's Ten-Year Anniversary: Ten years ago today, Steven Frank posted the first Spamusement comic, illustrating real subject lines from spam emails with "poorly drawn cartoons". Leonard and I loved it, and to celebrate, here are a few of my favorites. (Spamusement had an unfortunate strain of sitcom-level sexism and fatphobia but there were plenty of strips free from such annoyances.)

I want to especially mention She cant possibly be enjoying this! which Leonard and I treasure to this day every time we ask for a to-go box for leftovers, and this assortment that I suspect of being a "Cow Tools" homage.

Anyway, Steven Frank, thanks for a fun strip.

() They don't make nonsense like they used to: A single morsel of old-school link-free "what are they even trying to do here" spam slipped through my filter last week, like a Queneau assembly of our glory days here at SAFA. Enjoy, and reflect, for do we not, each of us, parallel existing roads?

From: Mars failing before completing their missions, with some failing before they even began. <brendan@orcon.net.nz>
Subject: Madagascar and take on fresh provisions before proceeding onward toward their targets further north.

David Smith, an analyst at research firm Gartner.
Many steps parallel existing roads, but others exist on their own and are classified as city streets.
Hudswell Clarke saddle tank Tubby at Blunsdon. He died in Monrovia in 1935.

() Male Gaze: Ashley Madison spam keeps telling me I am guaranteed to sleep with a married woman. I am a married woman. I sleep with myself every night, and as such, Ms. Madison has nothing to offer me -- or, conversely, perhaps I have been using the site all along unwittingly!

I find that the Ashley Madison spam specifically bothers me, not just because it implies that I am thought of as a promise-breaker, but because it implies a new vice that I'm not used to seeing in my spam. I'm used to spam insinuating that I am greedy, obese, and libidinous, but not specifically adulterous. And the heteronormative and aimed-at-men "sleep with a married woman" spam actually bothers me less than the more equal-opportunity subject lines that aim to include me. The former I can laugh off as male gaze; the latter thinks I am nudgable.

2013

() Monster Breakout Day:
  • Hey alabaastley, 80% OFF. encountered Neologisms
    I really prefer mangled portmanteaus.
  • Be ready in the morning for my new Gold pick!
    I wish you wouldn't stay up all night playing Minecraft.
  • Augmentin is your canon aimed at any infection.
    No, sir!
  • Scare people with your tool today
    Join your village's angry mob.
  • Mr. kevandd, get super prices. death
    Those prices had better be pretty damn super.
  • Monster Breakout day starting off with Monster News.
    It was just a regular day in Monster Town.
  • Do not underestimate the value of free pills
    I'm going to guess... "zero".
  • This Company keeps climbing! You may want to read this!
    "Employee Guidelines for Parachute Allocation."
  • Feel like you're under a pile of bricks? We carry Xanax and Valium
    Also bricks.
  • This May Never Happen Again!
    Oh, I think it will.

2012

() Mockworthy Recruiting Spam: I feel the urge to complain about a particular kind of spam yet feel a little uncouth doing so on my main blog. So then I remembered: Spam As Folk Art! Hi, three people who still follow this feed.

If you were a tech recruiter seeking a project manager or community wrangler, I could see how I would pop up on your radar. I'm not interested -- I'm happy at the Wikimedia Foundation -- but at least I would understand.

But recruiters who think that I must be an engineer, because I've worked on GNOME and I have a GitHub account, make me laugh.

Case 1:

Subject: Hello from redacted name of big tech company!
From: redacted name native to South Asia
Hi Sumanah,

I hope you're well. I came across your profile in Gnome Outreach program.

I hope you're well. My name is redacted and I am a recruiter here at redacted.

I am writing to introduce myself and was wondering if you would be open to confidentially exploring engineering or management opportunities with redacted.

In the event that you're happily employed, but know of any engineers of your quality who may be on the market, please don't hesitate to pass along my contact information....

First: I will notice if you misspell my name. (And you have nearly no excuse, person with name native to the exact same part of India as mine!) Second: I can think of approximately 500 engineers of my "quality" who are on the job market, because I am not an engineer. Within GNOME I worked on marketing, GNOME Journal, documentation, bug triage, and project management.

Case 2:

Subject: Web Application Engineer
From: redacted name of recruiting firm
<p>Hi Sumana,</p>

<p>Are you interested in a new job opportunity? We checked out some of your git repos and we found a job opportunity that fits your skills. Twitter in San Francisco is hiring web application engineers.</p> ....

Yes, the <p> and </p> tags were in the original. Someone wasn't counting on people who read email in plain text. And my GitHub repo has exactly one item of interest (my update to someone's README file), and within Wikimedia's git repositories I've tested the system by adding some comments to an example extension. If that means that a web application engineer role at Twitter "fits my skills" then I am a tuna fish sandwich.

Bonus case:

Speaking of "wait, plaintext?":

Well hello there, and welcome to the latest Ticket Alternative newsletter!

You've opted to receive the text version which is really boring. You can't see any of the pretty pictures we've added or be wowed by the colorful design.

So, click the link at the top of this email to view the online version and we promise to make you smile....

Thanks for reminding me to unsubscribe from the "newsletter" for a service I only signed up for to buy one measly theater or concert ticket, Ticket Alternative! (Oh, and of course, there was no link to the online newsletter in the plaintext email.)
Wednesday the Ninth of May
() Plaintive: Excerpt from comment spam today:
WHY DO YOU NEED TO FIND HER ASS ? SHE ISNT ANY DIFFERENT FROM EVERY OTHER HUMAN ON THE PLANET. HER ASS IS WHERE EVERONE ELSES IS.
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Sumana Harihareswara's "MC Masala" newspaper columns, reposted
Drinking Problem: We always confused Plaza Lounge and Park Kafe. At least, Leonard did. Then again, he's the one who mixed up the J, K, and M streetcar lines in San Francisco when getting directions. Yes, they share the same terminal stops, but so do we, and that's no excuse for confusing me with Anderson Cooper. We all end in the ocean; we all start in the stream; we're all carried along by [email]@crummy.com. Whoops -- this is the start of the column, not the end. [More]
Filed under: ,
Vitamin Talisman: "Let me tell you about raisins," the professor said, prompting chuckles and heckling in anticipation of a good line. [More]
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[Comments] (5) On death and dying: Nothing prepared me for the day one of my kids asked me why do people die?, so naturally when Lily asked me that question I was dumbstruck. We decided to buy the new Pixar movie Up. It came highly recommended by many people including Louise, who is a very tough critic. She rarely thinks anything is "really good" so I thought it really must be good.

Aaron popped it in for the kids. I was puttering around, getting things done, and still haven't seen it. It wasn't until the next day while Gunnar was napping, and Lily was watching it as I was doing the dishes. When all the sudden I heard this sad little voice and teary eyed girl peeking over the arm of the sofa almost begging me mommy, I don't want you to die. Why did Ellie have to die? When will she be back? I want Ellie to come back. I don't want you to leave. Why do people have to die? Where do people go when they die? I felt ill prepared to answer all these abstract questions in a way a 5 yr old would understand. All I could do was hug her and cry on each other's shoulder. I know it was wrong, but I promised her I wouldn't die, at least anytime soon. She was so sad and I wanted to reassure her and make her feel better.

Death is such a difficult topic and I think it is every child's worst nightmare. We talked about heaven and the resurrection and eternal families and I think we both felt better. It made me remember life is short and fragile and as a result I have not yelled at my kids as much this past week. I used to ask my mom what would you do if I died? And she would always say I would spank your little bottom. Death is something I struggle with and definitely don't want a lesson on it anytime soon. So the moral of the story is if you watch Up with your kids you might have to explain the mysteries of the universe with your kids.

[Comments] (5) for your eyes only: So last week, I tried to write a health care post about my health care of all things. A couple hours after I had posted it, my brain reflected on it and I just about died inside to think I just shared with the world my IUD problems. I quickly got to a computer and deleted it and spent the rest of the night feeling sheepish and wondering if anyone had already read my open book life.

Today, I will give it a go again, yet this time about Gunnar and with much less TMI. Gunnar's health care. My poor little baby Gunnar. I adore this little boy. I could eat him for breakfast, lunch, and dinner, and still snack on him throughout the day. Gunnar is and will always be my baby. This little guy went in for his "6 month" ophthalmologist appt. He was actually a few months overdue for a proper one since the past two were right before the move and right after the move and weren't proper appointments at all. We finally got the full blown appt out of the way and have been given two official diagnoses. First, our suspicions are correct. Gunnar has intermittent exotropia. Basically, one eye wanders when he is tired or not on his A game or zoned out. He can have surgery to correct it, but it really isn't too bad yet and the Dr and I both agreed that it is something to look into when he is older like 6 or 7 when "kids start making fun of his eyes in school" as the Dr put it, since his condition is very mild right now. Kids are so mean! And they probably will make fun of him, so when he is older and if it gets worse we will look into that, but for now he is ok. Just ignore his wandering eyes if you speak with him face to face and he zones out.

Secondly, his nearsightedness is now a raging -6.50 in both eyes. A whole 1.25 higher than last dilation. He's legally blind, but with his glasses he has near perfect vision, and it is very correctable with surgery if he chooses to get lasik when he is older. All in all, it is nothing serious. He is a happy, healthy boy. Sometimes, as his mother, I wished my body had been able to make his body more perfect, but there my vanity goes thinking I am responsible for creating my beautiful children. They are Heavenly Father's children and he is just letting me borrow them to discover tremendous happiness, and just a touch of torture.

But, there it is. Gunnar's health update. He is turning 3 in exactly 2 weeks so I better get onto making his well baby check up. Then we shall see how much this boy has g r o w n!

[Comments] (2) Burr, it's cold in here: This is all quite new to me, the wearing jackets in Oct and not really letting up. In TX the year Gunnar was born, I was so excited to not have to be my largest in the summer. It may have well been summer because as I recall, it did not get cool until the day I left the hospital with him. Geez, thanks!

Oh sure you might need a zip up in the morning, but by 2:00 you were sweating. I literally NEVER EVER wore jeans from the months of May-Oct. For 6 months I wore shorts every day. Even in April and Nov, the jeans were worn intermittently. But for those 6 months I didn't even look at jeans.

Yesterday, to make more room in my closet, and because I have a large Rubbermaid labeled jeans and sweaters that needed to be unpacked (and still one in the garage), I gathered all my shorts that I haven't worn a single time in a month, and all Aaron's shorts and exchanged places in the Rubbermaid with the jeans and sweaters.

It's not that it has been too bad here, gorgeous weather actually, but if I am not dressed properly my toes and hands will be frozen by 4:00 on. In SA I remember wearing flip flops year round. If it was too cold to wear them, that's ok because I knew by the afternoon I would be fine. It goes like this in the winter-mornings and evenings it is cool. Midday is warm. For a week or two we could have a cold front and then it is chilly, but then it goes away and for 3 weeks you are left with "perfect winter weather" picnic weather if you will. And the cycle continues.

Now maybe I am a tad cold because we haven't turned our heater on past 66 degrees. Perhaps. We are trying to save money, electricity is a lot more here, and all I have to do to get comfortable again is vacuum. (Why does that job make you sweat even in the winter? You are just pushing the thing around.) OR my new favorite thing is what Aaron calls my Back To The Future vest. It is AWE--wait for it--SOME. I have it in a couple colors, and it's perfect. It keeps you cozy at the same time freeing your arms to do household chores without feeling constricted like sweat shirts or jackets do. Plus, Old Navy is having 50% off all their outerwear. (Ok, online they are not quite 50%, they are more like 30% off and they have half the color selection so go to the actual store.) Go and get you one, and if you have an Old Navy card like me, you can get it for another 30% off that making it only $14. It's that awesome.

Now I am looking for some rain boots, because every week it rains cold rain here ALL DAY LONG from anywhere between a day to 5 days straight. My feetsies get cold walking around with wet socks and tennis shoes. So if anyone one knows of awesome rain boots for cheap (you know me, it's gotta be a good deal) please let me know.

[Comments] (1) Brisk: During my early morning run today, the sweat from my hands came out on top of my gloves and then turned frosty. I could tell because I was wearing black gloves and it looked like they had been flocked a little bit. Pretty weird--I've never had this happen before. Yeah, it was cold!

There were four in the bed and the little one said: I love lazy Saturday mornings. I awoke to Gunnar's noise and decided I wasn't ready to get up for the day and that I wanted to see if Gunnar was old enough to snuggle in the morning. Lily is at the age where she will lay down for a couple minutes but I didn't know if Gunnar "got it" yet. I went and got him and brought him in the bed. He knows what snuggling is because at night he always asks for me to snuggle just a minute so when I told him that he went for it.

It's seriously one of my favorite things to do is on a Saturday morning when no one has to be anywhere, just to lay in bed and snuggle and play and laugh with the kid(s). Gunnar is the most affectionate little guy. He leaned over to Aaron sleeping and kissed his cheek and said "I love you daddy". He then snuggled into me and said "I love you mommy, you're my big boy". He calls me that because I go between saying "You're my baby" or more lately "You're my big boy" so now he calls me his big boy too. He knows the difference between boys and girls which makes it that much funnier to hear him say it.

Gunnar leaned over and was pointing to my eyes and said "eww, what's that brown stuff?" I had a little smudged eye liner on from the night before that didn't wash off and he goes "that's disgusting." lol little noodge. Lily woke up finally and came in. Then I got to really snuggle-this girl knows how to spoon. It was the complete family, all four of us in the bed spending time together. It was a great way to start off the day.

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